Anthony Wanjohi with his portrait of Chinua Achebe
By
margaretta wa gacheru (posted 30 March 2018)
Anthony
Wanjohi has never had an identity crisis. He knows he’s a born and bred
‘Nairobi boy’. More specifically, he’s an Eastlander from Bahati, which gives
him on edge on the subject matter that he’s currently focused on illustrating
in his art.
“A lot of
the people that I paint are from my neighborhood,” says Wanjohi who’s been
fixated on creating art works around the hawkers of Nairobi ever since he
created paintings to submit to the GoDown’s annual art competition of 2017.
“For that
show, I painted traffic jams, matatus and hawkers,” says the Kuona-based
artist. “I didn’t win [Manjano 2017], but it got me interested in doing more [artistically]
with the hawkers,” he adds.
Unfortunately,
the ad hoc street sellers that charmed Wanjohi into transforming their lives
into photos, prints and paintings can hardly been seen in Nairobi’s city centre
anymore. They’ve been cast out of town as undesirables. (Ironically, the street
venders have been replaced with scads of glue-sniffers who can be found on
nearly every street corner at night in the CBD.)
Fortunately
for Wanjohi, he had already built up a substantial archive of images of
hawkers, working people who are trying to make a living selling whatever they
can on the streets. He’s taken photographs of jua kali salesmen of sweets,
sausages, hard-boiled eggs and screw drivers. He’s also snapped (with his
humble Nokia smart phone) mamas selling everything from githeri, chapati and
steamed maize to spinach, garlic and French beans to bottled water and chewing
gum.
“The lady
who sells sweets on the street [between cars that are standing still at red
lights] always seems to be more successful than the guys,” observes Wanjohi,
speculating that it’s probably got a bit to do with her sweet smile.
In any case,
it’s those images that the artist translates into paintings or prints.
Increasingly, he’s working with prints while using a variety of colors. “I’ll
work with the same image but print with various colors,” says the artist who
describes himself as ‘self-taught’ but admits he’s found inspiration online, in
newspapers and glossy magazines.
“When I was
at Pumwani Primary, I used to trace comics like Andy Capp and Tin Tin,” says
Wanjohi who never took an art class in either primary or secondary school. “I
also liked trying to draw like Gado and Madd in the local newspapers,” he adds.
In secondary
school in Kitui, he got involved doing set designs for school theatre
productions. “My last two years in secondary, I created backdrops for school
plays, which I really enjoyed,” he says.
Soon after
school, he heard about Kuona Trust when it was still based at The GoDown Art
Centre. “From 2005, I used to hang out there and look at the artworks,” he
recalls. But due to financial constraints, he wasn’t in a position to pay rent
to join either Kuona or GoDown. Instead, he worked at jobs that put bread and
butter on the table.
“I pumped
gas for a few years. I also did some construction work,” he says. Nonetheless,
Wanjohi felt the one thing he could do well was his art. When he wasn’t working
7-5, he was either drawing or keeping track of the local art scene through
Facebook and his regular trips to the cyber café.
By 2016, he
finally figured he had better take his art more seriously and went to apply for
a studio at Kuona Trust, which was recently re-named the Kuona Artists
Alliance. “I finally got space there in January 2017, and I’ve been there ever
since.”
Initially,
he was painting, but then he was shown how to make prints by David Thuku, one
of the founders of the Brush tu Art Studio who is currently based at Kuona. He
now spends practically all his time creating vivid prints of Nairobi’s ‘jua
kali’ sales folk. Unfortunately, the City Council still wants to treat them
like vagrants; but to Wanjohi they are some of the hardest working people in
town.
Wanjohi’s
‘Hawkers’ series of prints can be most easily seen by visiting his studio at
Kuona in Kilimani.
