By
Margaretta wa Gacheru (posted December 18, 2017)
One great
place to get your holiday gifts at ridiculously low prices and simultaneously
support a wonderfully worthy cause is to visit the new Kuona Artists’
Collective, on Likoni Close off Denis Pritt Road.
The artists’
collective is still located where the former Kuona Trust used to be, but the
name, style of organization and artists’ vision for its future is very
different.
Thanks to
the generosity of Kuona’s art-loving landlady, the author, publisher and human
rights activist Muthoni Likimani, the artists have been able to retain their
studio spaces while paying their monthly rent directly to Muthoni. Meanwhile,
she aims to attract a new tenant to the house where Kuona Trust offices used to
be.
“I will need
to find a tenant or tenants, preferably ones happy to have the artists
continuing to work on the land,” says Muthoni, who at 92, is still a shrewd
business woman and writer who just published “My Blood Not for Sale”, all about
modern-day slavery and human trafficking.
Kuona Trust
was launched back in 1995 and has experienced numerous ups and downs. But
overall, it has been a space where countless Kenyan artists have worked
together and developed their creative skills.
In the last
year however, the Trust has gone through demoralizing times as millions were
misappropriated, leaving the artists bereft. The culprits were known but no
charges were ever pressed, so the artists have struggled to raise funds to
cover the rent.
When the
situation grew dire, and the end of Kuona seemed imminent, a light appeared at
the end of the tunnel for the artists and Muthoni as well.
Kuona
Artists’ Collective was officially launched last weekend with nearly all the
artists dropping prices of their works to rock-bottom lows.
Indeed, what is currently for sale at Kuona up until December 22nd is art that is ‘ridiculously’ affordable art.
Indeed, what is currently for sale at Kuona up until December 22nd is art that is ‘ridiculously’ affordable art.
But as the
Collective’s Chairman, sculptor Gakunju Kaigwa noted last Saturday morning, “Those
who come early will have the chance to find ridiculously low prices on
outstanding works of art.”
In fact,
among the leading Kuona artists who had artworks for sale at favorable prices
were Dennis Muraguri, Meschak Oiro, Andrew Njoroge and Jessica Atieno to name a
few.
What was
especially exciting about the current exhibition and sale at Kuona is that the
gallery’s storage space was opened wide and artistic gems that hadn’t been seen
literally in years. Some are already gone. Others are still for sale.
Speaking
about the art works in the Kuona gallery and outside on pearly white panels,
Jesse Atieno explained the works were all from previous art exhibitions.
“Artists had
left a few of their works at Kuona but never picked them up,” she said. “We
notified them several times, but also made clear that after a certain period,
ownership of the art would revert back to Kuona.”
It is these
works of art that are most intriguing since very few are signed. The only ways
the artist can be identified is if one of the Kuona artists can recall their
name, or if a Kenyan art lover can recognize the style of an artist’s work and
appreciate the incredibly good value-for-money that purchase of a particular
piece would be.
For instance,
there are currently both paintings and sculptures inside the gallery (which
will soon be closed so the whole house can be rented out). One Kenyan art lover
walked into the gallery and instantly recognized two sculptures created by Kota
Otieno, a former Kuona resident artist whose works have seriously accrued in
value since he opened up a studio of his own outside of Kuona.
That art
lover managed to decipher Kota’s signature in small print on one sculpture.
Both pieces were quickly picked up by that avid Kenyan art collector ‘for a
song’!
Another two unidentified
works (which were hung separately but looked like they could have been a
diptych) drew the attention of another collector. As a pair, the two were
slightly more costly than the collector wanted to pay. But then, when Jesse
told her the artist was Tariq Karmali, a former Kuona resident who has moved to
New York City where his career is flourishing, the sale was almost assured. The
collector is still contemplating if she has wall space to hang those amazing
works. So in the meantime, others may get a chance to own two of Tariq’s early
works.
In short,
Kuona Artists Collective has emerged from a challenging period, but the way
forward is bright and deserves public support.
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