NUTCRACKER
BALLET THRILLS CHILDREN AND ADULTS ALIKE
BY
Margaretta wa Gacheru (margaretta.gacheru@gmail.com)
It’s rare to
walk out at the end of a production filled with a glow that emanated from/off
the radiance of the production.
But that is
what I felt after witnessing the opening night performance of the Dance Centre
Kenya’s ‘The Nutcracker Ballet’ last Saturday at Kenya National Theatre.
The world
over, the ballet’s a holiday classic and has been ever since it was composed by
the brilliant Russian Pyotr Ilyich Tschaikovsky in 1892 and staged the same
year in St. Petersburg. That first performance wasn’t an overwhelming success
due to Maruis Petipa’s clumsy choreography which was described by critics at
the time as both “insipid” and “confusing”.
But this is
certainly not the case with the ballet that one will be able to watch tomorrow
night at GEMS Cambridge School on Magadi Road and Sunday at 3pm at Braeside
School on Mathangari Road.
This
production of The Nutcracker has been beautifully choreographed by DCK’s
Artistic Director and youthful doyen of Kenyan ballet, Cooper Rust, who also
gives an amazing performance in the Arabian dance sequence in Act 2.
The colorful set designs and graceful costuming also contribute to the overall elegance of the ballet. But what seriously warmed my heart was seeing children (the oldest having just turned 17) dancing so professionally and with such perfect form that one can easily imagine many of these youthful dancers going on to greater heights dance-wise in days to come.
It’s already
happening, thanks to Cooper’s NGO, Arts for Africa which has enabled her to
sponsor numerous young Kenyans, many from ‘informal settlements’ like Mathare
and Kibera. Most of them go to Dance Centre Kenya but several, such as Joel Kioko,
Francis Waweru and Mishael Okumu have gone abroad to attend various dance
workshops and residencies in the States. But all three are back here to be in
this, the second edition of The Nutcracker.
Joel Kioko
just barely got back from South Carolina in time to be in the ballet, but
clearly, he had been working all year on his technique while he was away, as
the audiences will see in Act 2 when he performs a high-flying dance solo as
‘Spanish Chocolate’ this weekend.
Joel was the
boy-wonder who Cooper met while teaching in Kibera some time back. His natural athleticism
was extraordinary, so much so that Cooper went out of her way to ensure he got
to train with a number of professionals with whom Cooper had danced while she
was still living in the States.
But what
this year’s Nutcracker makes clear is that Kenyans need not go abroad to get
rigorous and wonderful dance training right here in Nairobi. Cooper is a tough
but tender-hearted dance teacher who demands discipline and righteous rigor
from her students. Her approach has obviously paid off as this year’s
performance of The Nutcracker confirms.
But what’s
just as remarkable is that DCK is technically not yet two years old. Started by
four families early in 2015, the MacSweens, Plumbes, Dolan/Shaws and Vaderas
already had known the quality of Cooper’s tutelage and technique so instead of
letting her return to the US following a stint she had done with another
Kibera-based NGO, the four asked her to stay on as the newly formed DCK’s
Artistic Director, which she did. And by so doing, she’s benefitted not only
children from the slums; she’s also trained kids coming all over the world,
everywhere from Croatia, UK and the States to Poland, Israel, Austria and
France.
The one
non-dancing lead character, Dr Drosselmeyer, was played last year by Ian Mbugua
who did a marvelous job. This year, the doctor, who gives his god-daughter
Clara (Anzu Ito) a magical nutcracker shaped like a little toy soldier, is
played by Joseph Wairimu who’s best known for his leading role in the
award-winning film ‘Nairobi Half-Life’. It’s the nutcracker’s magic that
permeates the whole production and explains why the ballet is staged annually
to the delight of children all over the world.
Also being staged
this weekend is ‘Tis the Season’ at The Elephant in Lavington. Produced by
Sheba Hirst and directed by Eric Wainaina, the show features songstress
Patricia Kihoro and Elsaphan Njora.
Then from
Tuesday, December 14, Heartstrings Kenya will close their busy theatre year by
staging an original comedy, ‘Behind my Back’ through Sunday December 18.
And finally, also on December 18th
for one performance only, King Dodge Kingoroti will be staging his original
Kikuyu musical entitled ‘Mbomboi’ at the Ngecha Art Centre from 2pm.
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