CONTEMPORARY
KENYAN ARTISTS FILL NEW & OLD SPACES
By
margaretta wa gacheru (posted 4 June 2018)
Perspective is
everything. From one point of view, the city of Nairobi is filled with garbage.
From another, including mine, Nairobi is filled with fine art. It’s there in
abundance. And the proof is all the new places as well as the older more established
ones that interested folk can find it in, especially on weekends.
The newest
space that’s putting contemporary Kenyan art on display are the Tamarind Tree
Hotel, a funky new place situated just next door to the Carnivore and literally
filled with photography, colorful murals and a spacious art gallery (that doubles
as a conference hall, in a way that’s comparable to what they do at the Dusit
D2 Hotel, another venue that holds exhibitions of up-and-coming Kenyan artists
on the last Saturday of every month).
The group
show was put together by Polka Dot Gallery and the free-lance curator Humphrey
Mugo. The two brought together 20 local artists including everyone from junk
artist Joan Otieno, Coster Ojwang, Wycliffe Opondo, Nadia Wamunyu and David
Maina to Alex Wainaina, Nelson Ijakaa and Patrick Kinuthia among others. The
exhibition was eclectic but enchanting in its diversity.
The other
brand new exhibition space is at Muthaiga Heights where Beta-Arts and Gloria
Barasa are now showing more young rising stars in the local art scene in Pop-Up
exhibitions.
Last
weekend, Gloria with assistance from Emmaus Kimani of Brush tu Art Studio
curated an outdoor exhibition on the balcony of the new flats. Artists featured
included Abdul Kipruto, Evilidah Wasai, Leevans Linyerera, Munene Kariuki, Saad
Lukwago and Wallace Juma.
Both Gloria
and Emmaus have jumped into the art scene after having heard from many young
artists that they need venues in which to share and potentially sell their art.
So we’ll be seeing more of Beta Arts collections in days to come.
The other
relatively new art space, which has an opening tomorrow, is The Attic in Nyari.
Kuona sculptor Meshak Oiro will be exhibiting along with two artists whose
works Gloria just showed, namely Wallace Juma (who won First Prize at this year’s
Manjano art competition) and Leevans Linyerera. One hopes we won’t see the same
works at the Attic as we did at Beta Arts.
In fact,
there is an etiquette that artists need to exercise out of courtesy to the
galleries. It was violated recently when one well-known local artist had a
one-man gallery show at the same time as he featured at a popular restaurant.
At least he didn’t show the same works in both venues, but otherwise, it’s a ‘no-no.’
One artist
who doesn’t recycle his art is Timothy Brooke who’s been so industrious in the
past few months that his art, including his new oil paintings, water colors and
drawings fills all the walls at One Off Gallery. That’s a feat in itself since
One Off just expanded into a new space (Carol Lees’ former stable) that is even
bigger than its original Loft.
Timothy runs
wild, painting herds of zebra, wildebeests and wild buffalo, all of whom are on
the move themselves. Their dynamism is captured in his art as his paints and
pen both easily capture their flight across the savannah.
Meanwhile,
Timothy Brooke is not the only vintage artist currently exhibiting in Nairobi.
At Nairobi National Museum, Ngecha artists who gained renown in the 1990s have
re-emerged in an exhibition curated by King Dodge King’oroti of Ngecha Art Centre.
That means one can see new and older works by artists like Chain Muhandi, Wanyu
Brush, Sebastian Kiarie, George Ngaruiya, Martin Muhoro, Daniel Kinyanjui, and Dodge
himself, among others. It’s a show that will make one nostalgic for past
initiatives of Kenyan artists who hold an important place in the history of
contemporary Kenyan art.
Finally, the
best evidence to show how Nairobi has become a hub of artistic activity is the
fact that artists from other parts of East Africa art flocking here to have
exhibitions. In the past few months we’ve seen Ugandan artists exhibiting at
Village Market with works that have set a standard for up and coming artists to
learn something from. Then too, Tanzanian artists have also come to Kenya this
month and over a dozen of them are exhibiting as from last Saturday at Banana
Hill Art Centre.
Last but not
least, the Maasai Mbili artists workshop at Polka Dot Gallery went well last weekend
as James Dundi Obat shared his skill stitching metal in a way we haven’t seen
since it used to be done by another Kenyan, Kota Otieno.
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