By Margaretta wa Gacheru (19 September 2018)
Grace Mercy
Muruthi is a blossoming playwright to be reckoned with as we saw early this
week when her first musical, ‘Melissa’, premiered at the Michael Joseph Centre.
Directed by Joseph Ochieng, her fellow Talanta Institute performing arts lecturer,
Mercy took a risk in giving her first play to be performed by a young cast who
are also her students at the Institute.
Yet Mercy
wasn’t let down by either Rhoda Memusi who took the title role, or Philip Muoki,
Melissa’s sweetheart, Dave, who’s in love with Melissa, but only conditionally
as it turns out. The rest of the cast, including Melissa’s friends and David’s
family, were all committed to their roles. But two key players who didn’t have
huge parts in the play are pivotal and mutually provide a moral compass that
will turn the tide in Melissa life.
They are the
Cucu (played by Eva Wangari) and Melissa’s little girl (Nelly Wambaire). Cucu, Melissa’s mother is adamant against her
daughter wasting herself by returning to wedding plans with Dave. Clearly, she
has heard about his physical abuse of her child. She undoubtedly has also heard
about his typically male attitude of not wanting another man’s child in his
life. It’s an attitude that compels many Kenyan women to either conceal their
child’s existence from the prospective spouse or stick with the child and leave
the man, as Melissa eventually does.
Cucu also
knows that once a man lifts a finger against his woman, he can easily do it again.
So she protests against Melissa’s departure with Dave once he comes home to
their village and woos her back into his life. She is deeply concerned for her daughter’s
safety and generally disapproves of the man. Melissa doesn’t listen however.
That’s where
the other key player in the show comes in. It’s Melissa’s unnamed daughter that
ultimately turns the tide on her mom’s decision to wed or not. Yet just as in
Zippy Okoth’s two installments of the ‘diary of a divorced woman’ (both staged
earlier this year), it takes the woman way too long to admit to herself that
she need not tolerate the abuse she receives from her man.
In Zippy’s
case, the abuse went on even longer than Melissa’s. But it would seem that both
playwrights, Mercy and Zippy sought to portray the plight of women in
relationships with men who apparently feel free to clobber the women closest to
them. In Zippy’s case, the woman was beaten even though she was the mother of
the man’s child. But that didn’t seem to bother Ricky, her spouse.
Fortunately,
Melissa chooses to get out of what might have led to more domestic abuse by not
showing up at the wedding. Nonetheless, she had already been hit by Dave more
than once and it seemed Melissa was willing to suffer that fate again just so
she could become ‘Mrs. Dave’.
In an
interview prior to the show’s opening, Mercy had noted she had felt compelled
to write ‘Melissa’ because she knew too many single mothers who were willing to
sacrifice their dignity, physical well-being and potentially, even their lives
just so they could have a man, ideally a husband living with them. They wanted
the status more than the security, which Mercy felt was wrong.
Melissa's music provided by (L-R) Dickson Kasavuli, guitarist, Jeremy Munene, vocalist & Frank Kariuki, pianist
“I wanted
Melissa to show that single mothers could make it on their own. They don’t have
to believe that life would be better with a man, any man, with them,” said
Mercy.
Ultimately,
Melissa the musical achieves her aim. However, it was something of a surprise
when, at the last minute (on opening night), she absents herself from the
wedding. We had just seen her in her wedding gown so we, along with Dave and his
uncle (Joseph Gakure) we were confused when she didn’t show. Up until then,
Melissa had looked like she was just like the other women willing to go all the
way into wedlock in spite of their knowing they might be putting themselves in
harm’s way.
In
subsequent shows, Melissa’s daughter shows up with the Cucu when Melissa’s all
dressed and set for the big event. But her heart melts at the sight of her
child and the realization she might lose their precious bond once she marries
Dave. So she makes the fateful choice to cancel out. It’s a surprise ending but
it works. It also fulfills Mercy’s plan the write a play that wakes up both
women and men.
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