African
Twilights: The Vanishing Rituals and Ceremonies of the African Continent
By Carol
Beckwith and Angela Fisher
Reviewed by
Margaretta wa Gacheru (28 January 2019)
Never before
have I seriously considered spending Ksh20,000 on a book, even if it combines
two volumes in one. But I may have to pay by installments for ‘African
Twilight: The Vanishing Rituals and Ceremonies of the African Continent,’ which
is being officially launched March 3rd at African Heritage House where it’s
co-author-photographers Carol Beckwith and Angela Fisher will be in attendance.
Normally,
I’d think it an extravagance to buy such a high-priced book, especially such a
heavy one as the 872 page tome. But for someone who appreciates African culture
and especially African aesthetics, I realize there will never be a more
revealing book published about sub-continental ceremonies, rituals, rites of
passage and religions than Beckwith and Fisher’s remarkable visual archive of
indigenous African cultures.
African
Twilight features 93 ceremonies witnessed in 26 countries. What’s more, it
recently won the United Nations Award for Excellence in 2018 for its ‘vision
and understanding of the role of cultural traditions in the pursuit of world
peace.’
Beckwith and
Fisher are two women photographers, one originally a painter, the other a
jewelry designer, who met right here in Nairobi in 1978. Both had a spirit of
adventure, a love of African aesthetics, an empathy and appreciation of the
people, and skills which led to their becoming pioneering documentary
photographers.
For the last
four decades, they have been crisscrossing the continent where they’ve
witnessed and photographed incredibly beautiful performance art events. In the
process, they’ve recorded Africans’ boundless creativity expressed in their
costumes, jewelry, body art (including body painting and scarification), dance
rituals and ceremonies. They’ve also produced beautiful books like ‘Africa
Adorned’, ‘Nomads of Niger’ and ‘African Ark’.
But since
their publishing ‘African Ceremonies’ in 1999, they realized the region was
changing so rapidly, they felt compelled to embark on the 15 year project which
resulted in ‘African Twilight’. Noting that nearly 50 percent of the ceremonies
they recorded in 1999 have either vanished or become ‘unrecognizable,’ the two
chose to journey deeper into otherwise inaccessible corners of the region to
meet people whose cultures were still intact.
As such, the
book succeeds in creating a visual archive of the exceptional diversity, beauty
and dignity of African cultural ceremonies ranging from those related to
initiation, rites of passage, courtship, and marriage to African kingdoms,
spiritual practices and death.
For years,
we’ve seen books bemoaning ‘vanishing Africa,’ but Beckwith’s and Fisher’s
images are not mournful, voyeuristic or clichéd. Instead, they’ve taken an
almost anthropological approach by getting to know their subjects, including
the values their ceremonies reflect. So while the book is primarily
photographic, the captions are informative, contextual and respectful of what
their images signify.
In the
book’s introduction, the British-Ghanaian architect, Sir David Adjaye writes of
how he shares the photographers’ purpose “to expand and enrich the world’s
understanding of the rich cultural tapestry of Africa.” I too appreciate the
sentiment.
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