By
Margaretta wa Gacheru (Posted 19 April 2019)
Walking into
Polka Dot Gallery two days before the opening of Coster Ojwang and Arnold Jaoko’s
exhibition, entitled ‘Tales of Strokes’, the timing couldn’t have been better!
To the
untutored eye, one might have seen sheer confusion as the Gallery’s new
manager, David Gathumbi was in the process of choosing which paintings to put
up where. That meant everything was in flux. Some works were coming down, while
others going up.
jaoko
But for
someone wanting to see artworks by not just two but several exceptional young
Kenyan artists, it was rare and wonderful occasion. That’s because quite a few so-called
‘up-and-coming’ local artists have discovered Lara Ray, Polka Dot’s chief-curator,
is especially receptive to ‘new blood’.
She’s given
a number of them their first chance to exhibit in a public space where they can
not just show off their art but sell it as well.
For the
prospective investor in East African art, this means they need to keep a periodic
eye on Polka Dot since one can never know what new gems you might find and
often, they can be affordably priced.
For
instance, Coster hasn’t been exhibiting in the Nairobi art world for all that
long. But he’s already well established and recognized for his lovely
landscapes and labor-filled cityscapes. He’s also exhibited at Polka Dot before.
But this time he has brought Arnold Jaoko, his former classmate from Mwangaza
Art Centre in Kisumu to share the gallery walls at Polka Dot from last Sunday
through 5th May. Jaoko hasn’t exhibited in Nairobi before, but he
has a lovely auburn-toned color palette and his figurative subject matter is also
well-executed.
But Jaoko is
just one of a number of ‘newbies’ to the local art scene. There’s a printmaker named
Robert Yigo whose miniature prints are attractively colored and filled with
rural imagery reminiscent of Rosemary Karuga’s, only hers are in collage and
his are print and mixed media.
Several
artists from Mukuru Art Club have also brought their works to Polka Dot. But
Vincent ‘Vinnie’ Kimau, Lloyd Weche and others from the Club didn’t just bring
their art to be placed on racks for visitors to thumb through. Lara actually
put club members’ art online at the gallery’s website, offering a special ‘Mukuru
Art Club Art Sale’ on their behalf.
“Lara has
already sold five of our paintings online,” says Adam Masava, founder of the
Club who adds that online sales will go towards construction of a new artists
studio.
But then, it
isn’t just inside and online that Polka Dot is exposing a lot of unsung artists
to the light of day. Even outside on easel and front wall, one could see
artworks that would be gone by Sunday’s showcase of Coster and Jaoko’s paintings.
Gone would be Elias Mong’ora’s Untitled urban scene, one of Sarah Sungi’s black
and white silhouettes and the halo-ed beauty by Philip Kere who we hear
normally exhibits at The Tamarind Restaurant.
According to
Gathumbi, Mung’ora’s paintings rarely stay at the gallery for long. The Brush
tu-based artist’s works tend to go quickly, he says, pointing to just two that
remain up for the time being. But they too are just about to come down, as are
the paintings remaining from a recent solo exhibition by Nigerian artist,
Akinyemi Ajibade.
Ajibade has
been in Kenya just less than two years, but as he loves teaching, he says he
has settled in at GEMS Cambridge School where he teaches art. But the painter
formerly from Lagos takes care that he leaves enough time for himself to keep
up his career as a professional artist. His first solo show in Nairobi was in
March, entitled ‘Shape of things to Come’. It focused primarily on young
attractive millennial females. All designed in geometric lines and brightly-colored
patterns, his paintings have a familiarity about them, particularly the few
remaining in the gallery which contrast the masculine and feminine in both
diamond and spherical mask-like forms.
Ajibade’s one
painting, a set of circular masks, bears an uncanny resemblance to masks made
by the Ngeche-based artist, Peter Kibunja, whose one spherical-faced painting is
also at Polka Dot. It’s one of those still propped up against a stool, awaiting
dismissal to the Gallery’s storeroom.
Finally, the
two space at Polka Dot that don’t rotate regularly are the cupboards that Lara
fills with miniature works by painters like Yony Waite, Anne Mwiti and Drishti
Chawla, and the ceiling from which hang mobiles by Isaac and wind-chimes by
Evans Ngure.
No comments:
Post a Comment