Patrick Mukabi, the Museum's master mentor takes his art all over the country and the world
By
Margaretta wa Gacheru (posted 9 August 2019)
The Railway Museum
used to be the place to go to learn about that important element in Kenyan
history, the establishment of the so-called Lunatic Express that went all the
way from Mombasa to Kampala, passing through Nairobi.
But
nowadays, the best reason to go to the Railway Museum is to discover what’s
happening among a myriad of young Kenyan artists and some not so young. It
started several years back when Remy Musindi got together with two other Kenyan
artists, Frederick Mbugua and Evanson Kangethe, to establish the Nairobi
Railways Museum Art Gallery. That lasted from 2012 to 2015. By then, several
other artists, among them Moses Nyawanda , Peter Ndirangu, Samuel Githinji, Lia
Berhane and Stephen Njenga among others had found space across the way from the
Museum and set up the Railway Art Studio.
But once the
Museum Gallery was free, coincidentally Patrick Mukabi had decided to move out
of The GoDown Art Centre where he’d been based since it first started in the
early 2000s. That is how he ended up moving into the Gallery space and setting
up Dust Depo Art Studio.
Mukabi at work
From the
beginning, Patrick was not alone. He had been mentoring young aspiring artists
at the GoDown, many of whom chose to also shift and stick with him. Quite a few
of them have learned what they needed from him and moved on to establish
themselves in their own right. Among them are artists like Nadia Wamunyu who is
now based at Kobo Trust, Mike Kyalo who now paints in South B at the Mukuru Art
Club, Joan Otieno who works at Kariobangi North at Warembo Wasanii which she
founded and Eric ‘Stickky’ Muriithi who is still with Patrick at Dust Depo but
also operates independently.
Eric 'Stickky' Muriithi has been with Mukabi at Museum for some time
Two graffiti
artists who were based with Patrick for a time subsequently teamed up with another
local artist, and moved just behind the Museum where they set up their own
studio inside a railway car. Kenneth Otieno, aka KayMist and Bebeto Ochieng,
aka Thufu were the two artists who met at Dust Depo and found they were kindred
spirits artistically. Then they met Brian Musasia, aka Msale and the threesome
became known as BSQ, short for Bomb Squad.
BSQ graffiti artists also got their start at Dust Depo. Now they have their own train car studio
The great
thing about Mukabi as a mentor is that he never holds on to artists who have
benefited by his guidance. Nor does he claim accolades for influencing so many
artists’ life opportunities. It is clear however that countless Kenyan artists
who have been mentored by him have become both artistically and financially
self-sufficient. In other words, Patrick, who is also known as Baba Supaa to TV
fans who used to watch his children’s art classes on the ‘Known Zone’, is a
born ‘mwalimu’ teacher.
Speaking to
him recently at Dust Depo, Patrick says he currently has about 20 artists
regularly working there. But in all, including those who come and go, depending
on their classes and other responsibilities, he has around 50 mentees or
students whom he shepherds into the world of fine art.
Nadia Wamunyu is also a former mentee of Mukabi. This is her Lamu donkey
In fact, his
teaching style is so genial and effortless that Patrick is invited to many
schools and art centres, both locally and abroad, to teach. “I have been to
around 20 countries where I have taught and also exhibited,” says Patrick. In
Kenya he’s taught everywhere from refugee camps to schools like Brook house,
Braeburn and Hillcrest to Hotels like Dusit D2 and Malls like the Hub.
One has to
wonder when he finds time to do his own art since he gives so much of his to
others. “I usually paint early in the morning or late at night,” he says in his
understated style.
He works in
a wide range of media, from charcoal and ink to acrylic paint on canvas and
paper collage. Best known for his portraits of beautiful buxom market women, he
also is known for his anatomical accuracy as witnessed in his PEV series of
nude warriors entitled ‘Siasa mbaya Maisha mbaya.’
Patrick is
also among the first Kenyan artists to paint a series of clad-less women whom
he had advertised for. He had invited women of ample sizes who felt comfortable
being painted in the nude to contact him. A number did and those portraits are
remarkable in their own right. But they were sadly censored from being shown at
Nairobi National Museum’s Creativity Gallery, an event that stunned many observers who did not think censorship of art was appropriate or fair.
Nairobi National Museum’s Creativity Gallery, an event that stunned many observers who did not think censorship of art was appropriate or fair.
Mukabi makes art all over the town, country and world
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