GERALDINE'S 100TH EXPO HER FINEST YET

          HUNDREDTH EXHIBITION MARKS GRACEFUL FINALE FOR ARTIST

By Margaretta wa Gacheru

Celebrating her 100^th major art exhibition tonight at the Village Market, at aged 83, Geraldine Robards vows that this one will be her very last one-woman show. But whether this intrepid artist will stick to that vow or not, there is no denying that her 100^th exposes the vibrant vision of an artist who still seems to be in her prime.

In fact, all 65 paintings in her ‘Reflections’ showcase have been painted in the past year. Only a few works were shown during a previous private exhibition that she held at her personal gallery at her Karen home.

Otherwise, many of her eye-catching paintings veritably explode with flaming colors that seem to reflect a spirit aglow with limitless passion for all things artistic, and an energy that feels irrepressible and in denial of the need to slow down.

“I have slowed down a bit since I’ve had a few physical challenges,” Geraldine admits. But she refuses to let them stop her from painting in six-hour sprints that can easily run seven or eight when her spirit dictates that she not stop.

Reflecting many of the themes that have been emblematic in her art over the years, her 100th show reveals her consistent love of the sea, coastal villages, indigenous trees, and the natural beauty of Kenya. She also has lots to say visually about our world in transition. At the same time, she’s painted several abstract works of color, texture, and tone, all reflecting the affirmative yet inquisitive spirit of the artist. A number of these also expose Geraldine’s fascination with universal images of starry skies and inter-planetary happenings beyond the scope of our mortal gaze.

“My hundredth exhibition will be especially dear to me because my daughter Sarah has come from America to be by my side. She has also brought her friend, Sir Sebastian Coe, president of World Athletics, who might share a few words at the opening,” Geraldine tells BD Life.

None of her other offspring were able to come for the opening since they are scattered around the planet. One lives in China, another in Canada, and the third stays in the UK. “All of them are busy working people so I respect their need to stick with their jobs,” says Geraldine who has been a working artist practically all her life.

And while her first affinity is for painting, this octogenarian has spent many years teaching and mentoring, both at universities like Makerere in Uganda and McGill in Canada, and in villages like Makueni where she worked with several local women groups. “Men were also members of these groups since I was sharing skills to boost all of their income-generating capacities,” she says. One of her biggest challenges was helping the women to diversify their artistic production.

“Many of them were weavers of sisal baskets, so we wanted to show them how [by using looms] to adapt their weaving skills to create colorful woven wall hangings, mats, and tapestries,” says Geraldine who adds that those items are now selling all over the world.

But some of her most memorable years as a teacher, she recalls, were at Makerere where she taught several Kenyans, including the award-winning Kisii stone sculptor, Elkana Ong’esa.

Meanwhile, out of the 100 exhibitions that Geraldine has held over the years, there were many that took place outside East Africa, in places like China, Europe, UK, US, and Canada. She says one place where her art shows were the consistently successful was in China where she exhibited no less than five times. “The Chinese have a deep appreciation of contemporary art, and they especially liked my abstract works,” she adds.

Primarily painting in oils on canvas, Geraldine also has several watercolors and a few works painted in acrylics. But she admits she has been slow to make the transition out of her beloved oils, despite her doctor’s advice that the chemicals in oils have an adverse effect on her system. That effect is one of the reasons her 100^th show might actually be her last. Ultimately, it may depend on whether she willingly gives up her oil paints, which is her favored medium and the one that enables her to produce works that are often multi-layered and textured to become almost three dimensional in their effect.

Geraldine studied fine art in South Africa, UK, and Canada. But her first teacher was the grandmother who gave her that first paint brush that got her started and ensured she would never stop.