ART HIGHLIGHTS AND TRENDS OF 2021
Elias Mungora's works were shown at One Off Gallery in 2021By
Margaretta wa Gacheru (posted December 27, 2021)
While 2021
was a tough year for many Kenyan visual artists, especially those hopeful that the
COVID pandemic would end by last year’s end, there were trends and highlights
that made this past year memorable.
One
highlight was the Art Auction East Africa which earned Sh23 million in a few
short hours, illustrating how our Creative Economy has the capacity to
strengthen the Kenya economy as a whole.
Another was
the series of annual public art shows that many artists look forward to as
consistent opportunities to show and sell their artwork. Those shows included
the KMS Affordable Art Fair, Manjano, and FOTA’s ISK art exhibition.
And as for
trends, this was a year of consolidation and cooperation among the artists. The
best evidence of this was the creation of AVAC, the Association of Visual
Artists and Collectives, founded by several artists and lawyers to protect the
rights of creatives and professionalize the work of visual artists.
The formation of AVAC
is also recognition that Kenyan artists are organizing themselves into viable
groups. We already had Kuona Artists Collective, Brush tu Artists Collective, and
Wajukuu as well as Warembo Wasanii, BSQ, and Art Orodha. And this year, the
opening of the Hive Studio at Karen Village and relocation of Dust Depo as an
Annex also at the Village reflect a trend of more artists working together.
Meanwhile, 2021 was also
the year when the visual arts seriously went virtual, with artists increasingly
showing and selling their art online, mainly on Facebook and Instagram. It
happened with the annual Friends of the Arts (FOTA) exhibition at ISK, with Nairobi
National Museum’s Sujaa Exhibition of Kenyan heroes, and with GravitArt Gallery
where the works of veteran Sudanese artist Rashid Diab were displayed as an
online 3D gallery.
A number of
exhibitions also took place in hybrid form. This was true with shows presented
by One Off, Circle Art, and Red Hill Galleries. It also happened at Art Auction
East Africa where the blend of online, call-in, and live bidding made for a
lively night of art sales, including one painting by Kenya’s Ehoodi Kichapi selling
for over Sh1 million.
This was a
big year for graffiti artists who got around to many parts of Nairobi. From Kayole,
Kibera, and Kilimani to Karen, Kitisuru, and Mathare, many young artists are
joining veteran graffiti artists like Swift9, Smokey, and BSQ to paint the town
beautiful. One of the highpoints of the year was when TICAH organized a group
of young artists to enhance the beauty of the CBD by painting graffiti
everywhere from Latema Road to the front yard of Hilton Hotel.
Young graffiti artists are part of a larger
trend identified by Lydia Galavu of Kenya National Museums. “We’ve seen many
young, independent artists at the Museum this year. Unaffiliated with any
gallery or collective, they are eager to find their own way, and they have lots
of energy,” says Lydia who is currently showing an exhibition entitled ‘Sujaa’
created by youth artists who researched and painted portraits of heroes from
every county.
The pandemic
has had a toxic effect on businesses and also artists, some of whom have had to
struggle with depression as well as with meeting basic needs. At the same time,
a number of people have re-acquainted themselves with their creative centre and
gotten back into painting. One notable is the veteran artist turned
businessman, Giko, who after years away, resurfaced to show his new works at
the recent Affordable Art Fair. Another is Maurine Chuani whose business shut
down in 2021, but who decided to make a different career choice. “I lost a lot
during the pandemic, but I feel I have found myself now that I see myself more
as an artist with business background rather than a business woman who loved
art,” she says.
Surprisingly,
the Kenya Government backed the visual artists this year. Working with the
Ministry of Sports, Culture, and Heritage, the National Visual Arts Organizing
Committee, and Nairobi National Museum, a total of 60 young artists were
supported for an Artists-in-Residence program that enabled them to be mentored
by veteran Kenyan artists. Thereafter, their art was exhibited at the Museum.
The Museum
was also the venue for a major exhibition in support of a Kenya Art Gallery. ‘Kesho
Kutwa’ showed works by some of Kenya’s leading artists as a way of illustrating
the need for such a National Art Gallery, one which was first proposed soon
after Independence by former Vice President Joseph Murumbi.
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