By Margaretta wa Gacheru (Posted May 11,2022, written April 28, 2022)
Kaz and
eight other elegantly-dressed Kenyans recently celebrated the Ghanaian feminist
writer and researcher Nana Darkoa Sekyiamah by staging passages from her
revelatory book, ‘The Sex Lives of African Women’.
It was a
week night at Alliance Francaise, but still, the show attracted a massive
crowd, many of whom had to be turned away since there was a house-full of
Sekyiamah-enthusiasts and Kaz fans who didn’t mind waiting till nearly 9pm for
the selected readings to begin.
The
attraction might have been partially due to the provocative title of the
production and the book (which quickly sold out that night). It further could
have been that the niche market of feminists and LGBTQ+ persons is much larger
in the city than was previously known. Additionally, it might have been that
many had heard about this singular production while listening to Kaz’s weekly
podcast, ‘The Spread’ which, like Nana’s book, explores intimate issues
affecting African women and LGBTQ+’s. In any case, this audience apparently had
no problem forking out the pricey ticket fee of Sh5000, a cost prohibitive to many
Kenyan theatre-lovers.
They all settled down fast once Kaz came to the mic and introduced the eight lovely persons who paraded onto the stage, prepared to read juicy passages from Nana’s book. These were no ordinary readings, since several in the cast had a theatrical background. And all had met to rehearse with Kaz for several weeks before their performance. So the drama of every story came through their sonorous voices and emotional inflections as they took turns sitting before the main microphone on centre stage.
The readers included Anna Mitaru, Aston Laurence, Julia Gaitho, Majic, Nice
Githinji, Patricia Kihoro, and Silsyio.
The stories
themselves were all selected from Nana’s book which contains a total of 32 true
tales drawn during interviews in 31 countries across Africa and the Diaspora.
All were based on ethnographic research that Nana did between 2014 and 2020,
according to Kaz who had scheduled their performance to coincide with the
author’s trip to Kenya where she was the keynote speaker at the recent Moto
Books and Arts Festival at Village Market.
Sekyiamah
was indeed in the audience that night and stayed after the show to respond to
questions from an audience appreciative of the quality of her research as well
as her quest to build a collective consciousness around the politics of
pleasure and sex.
Having
conducted in-depth interviews with mainly members of LGBTQ+ communities all the
way from Canada to Cameroon, UK to Zimbabwe, Germany to Rwanda, the author had
encouraged her subjects to speak freely and candidly about their experience of
sex. What she collected was a rich reservoir of information which she hoped
would serve African women who’ve previously been deprived of in-depth sex
education.
What we
heard on Thursday night was at once weep-able and revelatory. Most weep-able
was the true story of the five-year child who was raped multiple times by her
own relations. What was revelatory was the way women and LGBTQ+’s could speak
so freely about the most intimate aspects of their sex lives, including the
sexual pleasures they’ve enjoyed as well as the threats of physical violence,
including murder, that especially ‘trans’ people lived with practically every
day. Terms like transphobia, polyamorous, and feminocentric or just
‘femcentric’ were new to me. But they all made sense since they were spoken in
a broader context.
For
instance, a term like transphobia referred to the phenomenon of fear, prejudice
against, or even open hostility towards persons who are transgender or, as the
dictionary puts it, “people whose gender identity is different from the gender
they were thought to be at birth.”
And
polyamorous is pretty obvious. Poly refers to many and amorous relates to
sexual desire, so the term refers to being involved in multiple sexual
relationships at the same time. And then, femocentric is just a fancy term for
being attracted to woman.
The Sex
Lives of African Women wasn’t a show for the Puritanical or fanatical Christian
moralists since Nana had a knack for getting her subjects to speak freely about
the most intimate aspects of their lives. But as for the rest of us, we applaud
Nana Darkoa for her courage, intellectual curiosity, and rich insights. And Kaz
for her production which amplified the beauty, depth, and diversity of African
women.
Such an influential passionate woman,my team would like to work with you as an influential affiliate.kindly email maxwellomondi75@gmail.com if interested.we hope to hear from you soon
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