Tuesday, 16 April 2024

NAIROBI’S NEW THEATRE PREMIERES WITH A MURDER MYSTERY


By Margaretta wa Gacheru (7.23.2023)

They may 📿 the youngest performing arts company to join Nairobi’s burgeoning theatre scene.

Dancing Fingers staged theirs premiere performance last Friday night at the Professional Centre, the home where the troupe’s founder-playwright and producer Alby Ng’ung’a got his first taste of theatre in the presence of one James Falkland. He never became a big-name actor, like Ian Mbugua or John Sibi Okumu.

“But I loved watching the way James brought theatre to life, and I took him as a role model that I hoped to one day emulate,” Ngunga told BD Life on the opening night of The Broken, a script that he wrote for this occasion.

It's a murder mystery, layered with several sub-themes, including sex trafficking and the exploitation of women, infidelity, and mental illness.

The story begins and ends with women weepers, which is always a problem for me when the tears carry on too long. It’s especially annoying when it takes that much longer to find out what all the angst is about. Gradually we find out that several murders have been committed and the police have been investigating and even interrogating suspects using torturous tactics that start off the screaming. And at this early juncture, we cannot really tell whether the torturers are cops or criminals or one in the same thing.

Then the scene shifts and the weeper replaces the screamer. We find that she has grounds for being upset. Clemintine had been a university student but her professor had recommended that she join Madam Sabina in her brothel which she does, although we don’t know if she went their by choice or if her ‘prof’ Dr David had powers of persuasion that are unfathomable. Either way, Clemintine may have been raped in the night possibly on her way to work. In her distress she calls her professor, but he has no mercy and tells her to bug off. She then returns to the brothel but Sabina also refused to even allow her back into a place that at one time was her home. So she’s stranded, and the next thing we know she goes missing.

Cut to more weeping, this time it’s her mom who intuits that her daughter is in trouble and yet she can’t reach Clemintine by phone. Meanwhile, her husband, Clem’s dad is out messing around with other women. But by the time he gets home, his wife is near to hysteria, having been unable to make phone contact with her only child. It takes them quite a while but they finally decide to head to town to look for the good professor David. He’s the one who recommend Clemintine come to his university. And unbeknown to everyone except Sabina, he’s the one at the heart of a sex trafficking scheme, finding vulnerable university students and getting them to go work for Sabina. Then who knows what happens to them.

David’s wife, Clara is a police mortician who works closely with Dr Msoo, the man who has serious mental issues such as schizophrenia, and a kind of mental mania that has led to his grabbing girls like Clementine and keeping them secretly for his personal use. Otherwise, he is having an affair with Clara, something that David discovers by chance, and feels deeply wounded and betrayed by it.

In any case, the police chief inspector is hot on the trail of the criminal who’s been killing young women. He visits Madam Sabina who he believes might have some connection with the killer. But not even she can imagine how any man she knows is a serial killer. He also meets with Mama and Baba Clemintine and eventually gets to the police mortuary where Clara has an office. The police Inspector heads to Dr Msoo’s home. He arrives after we have discovered Clemintine is not dead, but locked away in the doctor’s basement. The extent to which Msoo’s schizophrenia has rendered him mad as a hatter. Once he hears a knock on his door, he rushes to hid Clemi back in the basement. But the Inspector isn’t fooled by Msoo’s lucid moments. What we know is that the doctor hallucinates. That’s how we understand the dead girl on the dissection table who rises from the dead and haunts Dr Msoo who is freaked out by what he imagines to be true. The corpse seems to be telling him he will rot in Hell. It’s shortly thereafter that the Inspector arrives and arrests Msoo. Hell could be a maximum security prison for him if a jury finds him guilty of rape, murder, and kidnapping Clemintine and others.

Playwright Nganga was brave to premiere with such a complicated plot, which worked relatively well. But it required better direction since one felt the cast was flailing a bit and needed clarity as to their character development. But overall, Dancing Fingers made a good effort and looks prepared to improve as we all aim to do.                            

 

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