By
Margaretta wa Gacheru (May 2020)
Netflix is
doing a booming business now that the COVID-19 pandemic has got everyone
cooped up inside their homes. The lockdown has been a blessing for not only
Netflix but also for most of the other streaming channels, from Hulu and Showmax
to Disney Plus. And recently it was rumored that even Facebook is getting into
the game of attracting eyeballs bored with indoor living.
But while
others are catching up fast, Netflix still seems to be the top dog in the game.
Offering the choices of everything from comedy and drama to documentaries and
mysteries.
Personally,
I have a preference for spy thrillers like ‘Traitors’, a British-American
murder mystery that I highly recommend. It’s rather complicated, but it’s also
historical fiction since it is set right at the end of World War Two and in the
early hours of the Cold War between the US and UK against the USSR.
It’s a
fascinating tale that starts out with an inexplicable murder only to turn into
an apparent love story between a young woman graduate of Cambridge named Feef (Emma
Appleton) and her attractive American boyfriend Peter. That doesn’t last long
however since he gets bumped off by an OSS (soon to be renamed CIA) colleague
named Rowe (Michael Stuhlbarg).
Peter’s
murder by his ostensible friend compounds the mysterious intrigue of this
six-episode series. But we quickly can see that Rowe is the villain whose
ulterior motive seems to be that of winning the incipient Cold War. He wants to get his hands on Feef, not
romantically, but to turn her into a spy whom he plans to ‘handle’ while he
guides her into infiltrating the British Foreign Office to detect who’s the
Russian mole working there.
‘Whatever it
takes’ is clearly the stealthy Rowe’s motto, only Feef doesn’t have a clue
until much later on. She believes Rowe who he claims Peter had an urgent
assignment but he would be back soon. He successfully strings her along,
disclosing only what she needs to know.
Feef has her
own ambitions so she’s prepared to play the spying infiltrator although it’s
more of a gamey pastime as she awaits Peter’s return. All of these characters
are deftly drawn with Feef the most endearing. However, she too gets into the
game once she finagles herself into the inner sanctum of the British Foreign Office
where its boss is a middle-aged spinster who is apparently married to her job.
Yet Priscilla Garrick (Keeley Howes) is possibly the most complicated character
of all. But to find out how and why that is, one will have to see the series.
What is
fascinating about ‘Traitors’ is that no one is who he or she appears to be. What
is equally absorbing is the fact that the series is set at the cusp of a new
historic era, that of the Cold War. It’s a war that clearly has global implications
since it is also a time when the British Empire is winding down, having already
lost most of its imperial power and only needing to ‘tidy up loose ends’, like
its role in the Middle East and, as Kenyans know, also in East Africa where it
will take a few more years to carefully hand over the reins of power to the
locals there.
Be assured ‘Traitors’
is not your typical spy thriller. Suffice it to say that the most serious
shocker of the series is in the last episode. So I recommend you not stop until
you get there since I doubt you will second-guess what you will find just there!
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