YOUTHFUL
KENYAN ARTIST TAKES A PRIZE DOWN SOUTH
By
Margaretta wa Gacheru (margaretta.gacheru@gmail.com)
Elias Mong’ora
first came to Nairobi fresh from Tetu in Nyeri County back in 2011. He hadn’t
turned 20 yet (He’ll reach the ripe old age of 25 come November). But already
his artwork spoke volumes about where this young painter was likely to go career-wise.
Whether sooner or later, it was bound to be ‘sky high’.
That’s
because Elias’ art combines familiar subject matter with a slightly
impressionistic flair, an early mastery of perspective and technique, including
his evocative way of blending color and shade. It’s a style that’s been
distinctly his own from the outset. And even now, as his second one-man
exhibition is on since last weekend at Polka Dot Gallery, his paintings still
reflect that winning combination of realism mixed with a magical impressionism.
But back
when he first arrived in Nairobi, some might have described Elias as ‘precocious’,
knowledgeable ‘before his time’. Others might have called him a ‘prodigy’,
especially as he’s not a graduate of any art school, be it local or foreign. Instead,
he confirmed to Saturday Nation that he has had mentors from whom he’s learned
a great deal. He might not remember their names but they’re easily found, he
says, on the Internet.
“My main art
teacher was the Internet, more specifically it was YouTube,” says Elias who
hadn’t come to Nairobi to find anyone specifically to work with since there
were few local artists known to him at the time. All he knew was he needed to
be here since there were important art activities happening right now.
“I was
fortunate to find my way to Brush tu [Artists Collective in Buru Buru],” says
Elias who currently has a studio in the Phase 1 house that the artists working
there (specifically Boniface Maina, Waweru Gichuhi and Michael Musyoka back then)
chose to renovate and transform into a series of studios.
“I’d read
somewhere that they had an opening so I quickly applied and got called to come
straight away, which is what I did,” adds Elias whose first solo exhibition in
Nairobi was at The Little Gallery which was also based in Karen at the time.
He began getting
into group shows practically from the moment he stepped into Brush tu, starting
with one assembled by a German art collector and biker named Andre Pilz who
wanted to take Kenyan artists’ work to Europe. It was Pilz who first showed me Elias’
art. That was several years back but even then I could see that he had a
special style of dreamy realism.
The first
time we saw him steer his style into a more abstract path to painting was
during a group show organized at the British Institute of East Africa. That
exhibition is where he exposed the first painting in a conceptual series that
he would call ‘Footprints’.
“The
paintings are layered in terms of time and space,” he explains. Footprints 1
began a process of developing the concept and creating art that would reflect
the passage of time and the people who’d passed by and made an impression on
the space.
Why 'Footprints
1’ is important to recall is because Elias’s ‘Footprints 3’ just won him a
place in the top ten among African artists who’d submitted their work to the
APSA-Barclay’s ‘L’Atelier’ Art Competition in Johannesburg.
His
achievement was just announced on September 15th, which is also when
the top prize went to another Kenyan artist, Maral Bolouri for her installation
entitled ‘Mothers and Others.’
Elias had
already booked his current solo show before he’d won his trip to Jo’burg where ‘L’Atelier’
organized a two day workshop for all the top ten winners and took them round to
the major galleries in town.
Since he’s
been back, what’s clear from his conduct is that Elias hasn’t allowed his early
success to go to his head. (The same could be said when he won a top prize at
the Manjano Art Competition two years back.) He remains at Brush tu where he
continues to paint alongside the founders of the collective as well as a number
of newcomers who like the cool, comfortable and creative vibe that these
artists give off.
What’s interesting
about his Polka Dot show is that Elias has only hung realistic portraits of
friends and a few professional models. The abstract approach that earned him
his latest prize is only visible as a backdrop to his delicately textured and
carefully drawn portraits of friends like Boni, Becky, Abdul and Tosh.
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