PRINCELY DEBUT
ALBUM LAUNCH SOUNDS AS GOOD AS THE ARTISTES LOOK
By Margaretta
wa Gacheru (margaretta.gacheru@gmail.com)
The finale
of last week’s African Heritage Night was the launch of the debut album by the
multi-talented Kenyan musician Papillon (aka Martin Murimi).
‘Heart of
Africa’ is the album recently recorded by Papillon with the same remarkable
band members who performed last Wednesday night in the garden at Alliance
Francaise.
Musically
speaking, Papillon has been performing at Nairobi venues for many years. He
wasn’t known by ‘the French name for butterfly’ back in 2005 when he first
started performing professionally with the Jua Kali Drummers out of Dagoretti.
With Jua
Kali, the young percussionist performed in Europe and Latin America. But after
attending a number of music workshops and meeting the musician who’d become his
main mentor, Ayub Ogada, he split from Jua Kali and formed the Slum Drummers.
But even
before he joined Jua Kali, Murimi was making his own instruments out of scrap
metal and other found objects. Then once he got exposed to a wider variety of musical
instruments, he expanded his own repertoire of home-made instruments.
It was that
knack for assembling brand new musical instruments and sounds that appealed to
African Heritage House CEO Alan Donovan, who’s promoting several AH bands in
the past, and who’s spurred on the innovative instrumentalist ever since.
But it’s
Murimi alone who composed all 12 musical pieces in his new album. At the same
time, his songs are beautifully embellished by the masterfully musical artists
who Papillon also performed with last Wednesday. They included Prasad Velankar
on tablas, Michel Ong’ara on flute and guitar, Paul Shiundu on keyboard, David
Muli Mbuta on bass guitar, Titus Davis Mwangi on percussion and Nelson Gaitho
joining Papillon on vocals.
Performing
as a kind of auxiliary team to the African Heritage fashion show, all seven
artists were decked out by Mr Donovan as if they were musical princes, which
they could have been, given the professionalism of everyone in the band.
Their
musical genius was most apparent when artists like Michele, Paul and Prasad
were given the latitude by Papillon to perform semi-solo riffs that effectively
illustrated of the band’s immense potential to grow and expand as they continue
working together.
For now,
copies of ‘Heart of Africa’ are available through the African Heritage House. But
Papillon is having the album ‘remastered’ in the States. It will be available
early next month together with a new cover and booklet story about his unique
collection of original instruments and his bio.
PAPILLON’S
BEGINNINGS
By
Margaretta wa Gacheru (posted January 2016)
Martin
Murimi aka Papillon has been making musical instruments out of recycled scrap
metal and other found objects ever since he joined AMREF’s Dagoretti
Child-in-Need Project in the early days of the new millennium.
Murimi was
only a teenager when he came from the village to stay with his dad in Nairobi.
But things didn’t turn out as he’d expected. He soon had to learn the skills of
survival and self-reliance.
But he had
several things going for him. First was his Christian upbringing which included
his life-long love of music, especially singing; then there was the wise advice
of his mother who taught him to “work with your hands, and you’ll be blessed.”
Murimi’s
been fortunate to find mentors who’ve taught him countless life-skills,
especially the value and virtue of being resourceful, resilient and hardworking.
That’s how he found his way to Dagoretti and AMREF‘s street children’s project which
aimed to transform young people’s lives by teaching them to create instruments
and make music out of recycled garbage.
Managed by
the Italian artist Giovanni Okasho, the project evolved into the Jua Kali
Drummers in 2005, and Murimi not only learned to be a powerful percussionist
but also to become the group’s assistant director. With Jua Kali, he traveled,
performed and even studied for almost a year in Italy and later Brazil.
Jua Kali
also performed locally at venues like Bomas of Kenya, Sarakasi Dome and the
Sawa Sawa Festival. But it was their musical workshops that helped to broaden
Murimi’s perspective on performance and got him playing all sorts of
instruments, from flutes and finger pianos to original inventions like the tubaphone.
Those
workshops are where Murimi also met Ayub Ogada who subsequently became one of
his main mentors once he split from Jua Kali, helped form the Slum Drummers and
finally branched out on his own. Yet as much as he admired Ayub’s sound and
musical versatility, he didn’t want to become an Ayub clone.
Wanting to have
an identity of his own is how Murimi morphed into Papillion (a ‘butterfly’ in
French) and began creating his own musical instruments, like his Mwair-wa-oru
(Daughter of Ur) and Anywar Abel (caring parent) which he’ll play during
Sunday’s African Heritage Day.
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