ROBIN HOOD
WOWS CHILDREN AND ADULTS ALIKE
By
Margaretta wa Gacheru (posted November 23, 2017)
Aperture
Africa productions has been consistent since I first saw their grand
performance of The Jungle Book, the musical just a year ago.
Amar Desai,
his wife Jinita and his whole team do everything in high style. From the
colorful costuming, choreography and elaborate set design to the special
effects, live music and magical moments when one can see children enthralled by
the lively events happening on and off stage, Amar as director made the whole
show blend together beautifully. That was true for The Jungle Book, the musical
just as it was last weekend when Robin Hood charmed the children from start to
end.
One must
take special note of the large numbers involved in such a show as Robin Hood.
Amar doesn’t seem to do anything in a minimalist fashion. His orchestra headed
by Andrew Tumbo was substantial and well-rehearsed. My only disappointment is
their being tucked away up in the balcony so we the audience had no chance to
actually watch them perform. I personally love live performances but
logistically, their upstairs station was understandable. For as vast as is the
Chandaria stage at Oshwal Centre is, it was just the right size to fit in
Sherwood Forest as well as a village market, a cosy dungeon and even a ‘throne’
double-decked above the dungeon where the Sheriff (Bilal Wanjau) had a chance
to watch the village below as well as to woo Lady Marion (Maya Spybey) who was
utterly disinterested in the advances of this naughty cop.
Only the
Sheriff’s team of soldiers were few and certainly no match for the renegades
working closely with Robin Hood (Tirath Padam). Otherwise, the cast of
Aperture’s musical was huge, including an incredible crew of talented children
whose performance clearly inspired countless youth who got actively involved in
the production, both by climbing out of their seats to collect the candy tossed
to them from the stage and by getting right up on the stage once they saw a
signal at the show’s end when they were apparently invited to join their peers
and dance along with the whole cast.
Robin Hood
was ultimately a joyous affair, despite there having been several dark moments,
as when Robin and his fellow outlaws went into battle with the Sheriff’s
troops. Such times seemed just a touch too violent for my taste. So was the
time when Much (Chandhi Vaya) was being tortured. And so were the scenes when
the Sheriff’s men roughed up the locals. It was just a wee bit too scary for me.
But on the
other hand, my favorite character in the whole of Robin Hood was the Sheriff,
Mr Nasty himself. Bilal Wanjau was delightfully wicked and an unbelievably bad
bully to all except for Marion, of course. But even she fell fowl of the
Sheriff once she refused his marriage proposal. Her heart was already bound to
Robin’s.
The one
scene that was beautiful but a little overdone was the love scene when Robin
and Marion were ‘alone’ and yet surrounded by dancing white-winged angels. As I
sai, their dance was beautiful to watch but it defused the passion of the
lovers’ moment. Then again, perhaps that was the point, given the musical was
meant mainly for children who don’t have to get acquainted with the way lovers
have moments alone.
In any case,
the choreography of Robin Hood was impressive except that I wished the fight
scenes looked a little less brutal. Otherwise, Aperture Africa deserve all the
support they receive from the local business community for its musical
extravaganzas that never fail to entertain. I applaud the Desai’s for their
professionalism and theatrical excellence.
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