CYRUS GIVES
A KEYNOTE AT SMITHSONIAN’S AFRICAN ART MUSEUM
By
Margaretta wa Gacheru (posted 22 May 2018 for Business Daily)
It isn’t
every day that a Kenyan artist is invited to be keynote speaker at a forum
hosted by the Smithsonian Institution in Washington, DC. And not just to speak
about “Re-visioning Africa through the Creative Lens of Cyrus Kabiru,” as his
talk was entitled.
Cyrus in the room given him at Zeitz MOCAA Museum of Contemporary African Art
Cyrus was
also invited to run an afternoon workshop at the Smithsonian National Museum of
African Art on the same topic last Saturday, 19th May.
Cyrus has
kept well out of the limelight in Kenya, despite his ‘C-Stunner’ sculptures
gaining worldwide acclaim. Indeed, Kenyans are hardly aware that his
hand-wrought wire specs (which one writer described as “surreal and phantasmagorical creations”) have been on the cover of
numerous arts and fashion magazines. He’s also been invited to exhibit, speak
and participate in workshops all the way from Los Angeles and London to Milan,
Tilburg, Holland and Cape Town to name a few of the myriad cities his art has
taken him to.
Cyrus atop his new house on the edge of Nairobi and Machakos counties Most Kenyans probably don’t know that for years, Cyrus had been creating his so-called ‘junk art’ at Kuona Trust (now Kuona Artists Collective). Creating crocodiles and other creatures out of soda and beer bottle tops that he’d collected from local bars, Cyrus had started working with the only ‘art materials’ accessible to him (namely junk) many years MAC discover that the wiry specks were major hits among visitors who passed by Kuona Trust.
Much has changed since then. Still, it must be
humbling for a man who frankly came from a humble roots himself, growing up in
Korogocho (the site of one of Nairobi’s largest garbage dumps), to explicitly have
his ‘futuristic C-stunners’ be described as an inspiration for others to come
appreciate and even emulate.
Cyrus with the founder of Zeitz MOCAA, Dr. Jocham Zeitz and an art collector
But Cyrus hasn’t only been a hit in Europe and the
States. He is also represented in South Africa, both at the SMAC Gallery in
Cape Town and in the permanent collection of the largest contemporary African
art institution in the world, the Zeitz MOCAA (Museum of Contemporary African
Art) also in Cape Town. Only one of two Kenyans to be included in the Museum’s
permanent showcase of African art, (Wangechi Mutu is the other one), Cyrus has
just one problem these days. And that is finding sufficient time to come home
and create more wonderful C-Stunners. He’s a man in public demand.
.
What a great concept
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