By Margaretta wa Gacheru (posted 25th March 2019)
Kioko Mwitiki
has set the bar very high for what the Kenyan artist might aspire to once he or
she has made it to ‘heaven’ and back. For not only did this original scrap
metal sculptor (one of the first in the land) get so good at creating
life-sized Kenyan wildlife out of scraps that he had to send whole
containers-full of his sculptures abroad just to meet his clients’ desires for
his art.
Kioko often
had to accompany his elephants, rhinos and giraffes to sites like the San Diego
Zoo where he also had to serve as curator, tasked with transforming part of the
zoo into an art installation, even an ‘African Savannah’ filled with his
metallic wildlife. He’s done similar work at the Sonoma Desert Museum in
Arizona and even in Tanzania’s Seregeti Park where he created a ‘Nature Trail’
to educate school children about the value of wildlife.
At the same
time, Kioko has also trained young Kenyans to create creatures like his. Only
theirs are usually smaller in scale, soldering warthogs rather than rhinos. But
Kioko says he’s never let his apprentices leave until they look assured of
earning a livelihood from their art.
Now that
Kioko’s sculptures can be seen everywhere from airports to world-class zoos and
five-star hotels, he’s opened his own gallery in his name. He’d actually opened
Pimbi Gallery some time ago, but originally, Pimbi doubled for both a gallery
and workshop where he fabricated all his art.
Now that
he’s opened the spacious Kioko Mwitiki Art Gallery next door to Lavington Mall,
the sculptor not only has sufficient space to exhibit his own art, including
his porcupines, ballerinas, elands and totems of all types.
He also
exhibits other artists’ works. Some are established like Justus Kyalo; others
relative newcomers like the six whose group exhibition opened in mid-March and
runs through to mid-April. The six include painters who work in acrylics and
watercolors as well as a print maker and a photographer.
By Annabelle Wanjiku
By Annabelle Wanjiku
There’s one
among them who’s been well-established since the 1980s. That’s Annabelle
Wanjiku who brought her colorful semi-abstract paintings from Uganda (where she
now stays) to Kioko especially for this exhibition.
At the other
end of the spectrum is Shilpi Deb, 24, who recently graduated from art school
in Mumbai, the same school that both her father and grandfather went to. She’s
only been back in Kenya a year, so this is her first exhibition since she’s
been back.
By Shilpi Deb
She’s contributed a variety of genres to the show. Her woodcut prints cover a whole wall at Kioko’s double-decker gallery. She also displays a series of paintings on etched wood plates which have a Cubist angularity to them.
By Shilpi Deb
She’s contributed a variety of genres to the show. Her woodcut prints cover a whole wall at Kioko’s double-decker gallery. She also displays a series of paintings on etched wood plates which have a Cubist angularity to them.
The one
photographer in the exhibition is Billy Miaron who, like Shilpi was given a
whole wall to fill with his black and white photographs, some portraits, others
landscapes.
Mount Kilimanjaro from Illasit by Billy Miacon ole Nkumama
Mount Kilimanjaro from Illasit by Billy Miacon ole Nkumama
But his most
striking image is a multiple-exposured view of Mount Kilimanjaro shot from his home village of Illasit near Loitokitok
at the Tanzanian border. Billy admits to touching-up his multi-layered image using
Photoshop, but only to enhance the magnificence of the mountain and the earthy
texture of village life.
Another one
of the painters is Kevin Ndege who actually trained at Egerton University in mathematics.
But once he got a job doing illustrations for MacMillan Publishers, his fate
was sealed. Painting full-time since 2016, his art is still illustrative, only
now it’s more psychological. It reflects on modern maladies of the mind,
referencing common fears, some illusory, others cautionary but all needing to
be addressed before they can be overcome.
Indecision by Kevin Ndege
Indecision by Kevin Ndege
Finally, Thomas
Gatura is a watercolorist who paints both abstract and realistic works which
are miniature in scale compared to Shiku Wang’ombe’s bright and bold acrylic
paintings, several of which practically fill one wall each.
These six
will have their artworks up for the month. Meanwhile, Kioko opens his gallery
every Wednesday to artists who’d wish to exhibit there.
It’s one
more way Kioko says he’s happy to contribute to the development of Kenya’s
creative art world.
Art by Shiku Wang'ombe
Art by Shiku Wang'ombe
“We still
run apprenticeship programs at the workshop,” says Kioko who’s also run
re-cycling workshops in the States.”
But now that
he’s moved into his own gallery in one of the city’s busiest commercial areas,
he’s happy to offer fellow artists yet another spacious venue to expose and
potentially sell their art.
“One big
advantage we have is that since we’re working with wildlife organizations like
the Jane Goodall Foundation, we get many visitors from abroad.”
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