By Margaretta wa Gacheru (posted 12 June 2019)
NBO Film Festival at Prestige Plaza has
just two more days to go before the full screening of rich array of Pan-African
films is done on Sunday night.
This year’s Festival featured films
not only from Kenya (including Subira, Poacher and Demla among others), but
from elsewhere in Africa, Latin America and the Caribbean.
But without doubt, the one film that
singularly thrilled two full-houses of viewers on opening night was ‘Lusala’.
Mugambi Nthige’s directorial debut in film was a revelation, especially after
just watching the brilliant stage play, ‘Written on the body’ by Andia Kisia
which he also directed.
But Mugambi’s directorial skills barely
scratch the surface of what this man is creatively capable of, bearing in mind
that he not only co-wrote Lusala; he also co-scripted award-winning films like Supa
Modo, Kati Kati and Nairobi Half-Life.
But having seen them all, one is
tempted to suggest Lusala’s the one that might earn him, Brian Ogola (as
Lusala) and the rest of his cast even wider accolades. (How about an Oscar for
best Foreign film 2019!)
Lusala’s a sensitive story about a
boy who’s violently brutalized by his alcoholic dad to the point of running
away literally for his life. He’s transported from poverty into his uncle’s
affluent home where he grows up apparently a full-fledged member of that
family. However, at the wife’s (Mkamzee Mwatela) insistence, he’s
unceremoniously told to move out and find his own way in the world.
Thrown back into poverty, he starts
flashing back to his painful youth and to the sweet sister (Stacie Waweru) he’d
apparently blocked out of his mind. Her hallucination had been there before
which could be why the wife, fearing his instability, had insisted he leave
their home before he did damage to her family.
Brian Ogola as Lusala with baby sister (Stacie Waweru)
Brian Ogola as Lusala with baby sister (Stacie Waweru)
It turns out Lusala had been
traumatized, but not just by a cruel father. His sister had run away with him
but had gotten ‘lost’ along the way. His feelings of guilt haunt him
incessantly and they get worse as he has more time alone.
Brian Ogola portrays Lusala’s mental
breakdown with poignant sensitivity, to the point where by the last scene we
feel his excruciating despair. Cinematically, his mental confusion is
brilliantly shot, as the camera captures his growing anguish as her
hallucination takes over his mind.
Lusala tries suicide but fails.
Pulled from the family swimming pool, his fate is left hanging as is his
captivated audience. The horror that Ogola sustains at the very end of the film
leaves us wondering: is the horror the discovery he is still alive or the fact
that he almost died? We’ll never know. That is, not unless Lusala, his sister
and the whole cast are given a sequel to find out: will Lusala ever be lifted
out of limbo or be freed from the horrible guilt he feels for losing the loving
sister he feels he left behind to die?
No comments:
Post a Comment