By
Margaretta wa Gacheru (2013)
Phoenix
Players have such high regard for the Kenyan playwright John Sibi-Okumu that
they reserve a slot for him every year when his latest original play will be
staged.
Committed to
writing about what he calls the “Kenyan condition”, Sibi has presented a number
of his plays at Phoenix, most of which have been received with overwhelming
praise, as Role Play and Meetings were.
But others,
like Minister Karibu got mixed
reviews. I for one liked the show very much, but there were other cultural
critics who found flaws in the script, claiming he was stereotyping his
political characters in tribal terms.
Either way,
Sibi is no stranger to controversy and doesn’t shy away from it, as the public
will see from this Friday night when his brand new play, Kaggia, will premiere at Phoenix Theatre.
As Kenyans
may recall, Bildad Kaggia was one of the Kapenguria Six, who with Jomo Kenyatta
and others was incarcerated for several years. Once released, he joined
Kenyatta’s new government, but didn’t stay long since he not only had
ideological difference with Kenyatta. He also couldn’t stand what he perceived
to be the corruption that he saw in the new government.
Kaggia had
played a pivotal role in the Mau Mau anti-colonial war, but he never received
the recognition he deserved. Hopefully, Sibi-Okumu’s play will go some distance
in rectifying that historical omission.
Harry Ebale (who
just finished starring in Accidental Death
of a Terrorist at Phoenix) was Sibi’s pick to play Kaggia and Lydiah
Gitachu was also the playwright’s choice to play Kaggia’s wife Wambui.
Nick Njache is directing the four-member cast in
which two young filmmakers, Stacey (Yriimo Mwaura) and Xan (Bruce Makau), contemplate
making a film on the man. And as they do, they take on a multiplicity of roles
that should give us a panoramic view of the Mau Mau leader who chose to make
large sacrifices in his personal life even as he fought for the liberation of
his country from colonial rule.
Kaggia will run from October 31st through November 15th.
Already the show is booked to play to several full house crowds so it might be
best to get tickets in advance.
Meanwhile, the word
got round this past week about two plays that were either extended beyond the
original closing date or brought back to the stage by popular demand. Both Accidental Death of a Terrorist and How Dearly I Hate You (both favorably
reviewed in Business Daily) closed
last Sunday night with each one playing to packed houses, the first at Phoenix,
the second at Alliance Francaise.
So anyone who doubts
the Kenyan public is increasingly engaged in attending theatrical productions
need to think again. Both shows were exceedingly entertaining but at the same
time they each had a clear cut social message. Accidental Death examined the threat of police impunity and the
need for vigilance while Hate
explored gender inequities and one young woman’s resistance to being treated
like mindless chattel by the men in her life.
In both cases, one
could ignore the socio-political message and just enjoy the hilarity of each
play. But if one gave either show a second thought, they’d have to appreciate
the humor as well as the subtlety of the scripts staged by Phoenix Players and
Heartstrings Kenya.
Finally, Professor
Elizabeth Orchardson-Mazrui worked her magic last Saturday at Paa ya Paa Art
Centre where she managed to transform a humble book launch into a multifaceted
performance featuring story tellers and spoken word poets.
Launching not one but
three brand new books, Professor Elizabeth proved again that she’s a prolific
writer despite being best known as a fine artist and art lecturer at Kenyatta
University.
On hand to formally
launch her new play The Lion of Egerton
Castle, selected short stories, Seasons
of the Jacarandas and collection of her newest poems (which she described
as “angry”) called Recriminations,
Lamentations, Ululations, were two veteran Kenyan storytellers, Muthoni
Likimani and David Maillu.
Both Muthoni and
Maillu had been invited by the Prof. in order to honor their contributions to
Kenya’s incipient literary culture. But she also invited a much younger generation
of performing artist to dramatize her writings and lift them off the written
page and into a vibrant vocal presence.
Actor Jason Otieno,
blogger and poet Njeri Wangari and novelist Alexander Nderitu each took turns
bringing Elizabeth’s poetry and prose to life. But it was poems like African Woman Repackaged and Dishonorable Honorable Members that most
vividly confirmed that Orchardson-Mazrui is one of Kenya’s most important poets
of our time.
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