By Margaretta wa Gacheru (posted March 2, 2021 to DN Life & Style))
The
all-color coffee table-top book, ‘Africa Adorned’ set off fireworks
internationally when it came out in 1984. No one before Fisher had entered so
deeply into African cultures to capture the exceptional beauty and decorative
elegance of the Dinka, Rendille, Gabra, Kuba, Fulani and Ashanti peoples. No
one before her had revealed the extent to which Africans decorated themselves
in everything from gold, Venetian glass and hand-beaded corsets to cowrie
shells, peacock feathers, and elegant hand-woven textiles.
But having
studied cultural anthropology at University and worked closely for several
years with the Aborigines before coming to Kenya in the early 1970s, Angela was
prepared initially to travel up north with fellow Aussies collecting artifacts
which would form the basis of her first craft exhibition in Nairobi at the African
Heritage Pan-African Gallery in the mid-70s.
Having
acquired a ‘wander lust’ from her step-father who used to take her camping under
the stars as a child, Angela has always been keen on traveling. But to obtain
enough material for her book, she would ultimately crisscross the region three
times, and then head off to London, first to write a story for National
Geographic and then to find the right publisher who would treat her images and
texts with special care.
‘Africa
Adorned’ has been out of print for the last few years. But hopefully, it is
being reprinted soon. In the meantime, Angela and Carol met up at African
Heritage and soon agreed to start working together. Both had a passion for
exploring and documenting all they could find related to African rituals and
ceremonies. Both had an awareness of how rapidly lives are changing all across
the region, even to the extent that whole ceremonies, traditions, and skills
could disappear as Western notions of modernity overtook and quashed age-old
norms and values, just as we are seeing today in Kenya.
“I found
myself watching a documentary on the Maasai, and it took me no time to quit my
job, board a plane and fly to Kenya to meet the Maasai in person,” says Angela.
Meanwhile,
Carol had been a masters student at the prestigious Boston Museum of Fine Art
where she had won a two-year fellowship to study and travel.
“I went to
Japan to study Zen calligraphy for a year, then to Burma and Cambodia, and
almost as an afterthought, I stopped off in Kenya,” she says.
Then if
Carol hadn’t taken that hot-air balloon ride with Angela’s brother, Simon, she
might not have been advised to meet the sister, who he said would get on
beautifully with Carol. And he was correct.
The two met
up at African Heritage Garden where Carol had already been painting and
beautifying Mr. Donovan’s wall with African designs. She already had produced
one book of her own on the Maasai even as Angela was still in the process of
getting Africa Adorned published.
But now 45
years later, the two have traveled over 300,000 miles together crisscrossing
the continent. “We have been to 45 countries, and worked with 150 different
cultural groups across the region,” says Carol whose last joint effort with
Angela, their ‘African Twilight’ double-volume was formally launched a year and
a half ago at African Heritage House during a big gala night attended by the
Minister of Sports, Culture and Heritage, Amb. Dr. Amina Mohamed.
Currently,
the two photographers share a three story house in London, which is close to
their publisher. “Carol has the ground floor and I have the top, and with our
studio in between, it’s a perfect fit,” says Angela who’s still in Kenya,
making a film with Carol on life in the bush.
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