DANCE SHOW TO HIGHLIGHT GENDER-BASED VIOLENCE
By
Margaretta wa Gacheru (20 March 2021)
Unlock Art
Kenya has been on a mission for the last five years.
“We gave
ourselves that name because we literally want to unlock the talent of young
people in Kenya that we know is already there,” says UAK’s founder, Joel
Akweyu.
Evidence of
that objective will be available this coming Saturday afternoon, 27 March, when
the company will give a premiere performance of ‘Her Son’, an original dance
theatre production at the Catholic University Auditorium from 5pm.
Choreographed
by Akweyu who cofounded the company in 2015 with David Kim Khisa, the lead
dancer in the troupe, the production aims to dramatize the many challenges that
women face in society leading ultimately to one mother’s empowerment.
“It’s the
mother’s story as told by her son,” says Akweyu who adds that through a series
of dances, the dramatic action will aim to portray the main trials a woman
faces in life, from poverty to gender-based violence including female genital
mutilation.
Khisa was
also instrumental in developing the theme and structure of the story. “David
was raised by a single mother who struggled to bring him up and send him to
school. He told us her story and we realized that hers was reproduced by many
women, not just in Kenya but around the world<” Akweyu says.
Lilian
Nyambura, 21, will portray the mother and Kim Khisa, 25, will enact her son.
Theirs is
also the age-range of the 10-person dance troupe, with only their main mentor,
Akweyu being 27. As the senior member of the company, he also has several more
years of professional dance experience than his youthful troupe.
Having
graduated from Chesamisi High School in Bungoma, Akweyu came to Nairobi wanting
to work in the performing arts. That is how he found his way to Kenya National
Theatre where he says he met members of the Kenya Performing Arts Company.
Founded by a group of Dutch artists intent on assisting Kenyan youth, KPAC
embraced Akweyu who had a natural talefor dance. His potential was so promising
that he was given a two-year scholarship to study dance and choreography in
Utrecht, Holland at the Jongeren Theatre Link.
“It was a
great learning experience for me. I especially loved choreography, but when I
got back to Kenya in 2014, I realized the company was moving out of Nairobi, so
I stayed one more year and then resigned,” he says. Admitting he wasn’t keen to
accompany NPAC back to Western Kenya, Akweyu had met young Khisa in his last
year at Kenya National Theatre and saw he was one of the most talented dancers
in the group.
“Joel became
my mentor, but then we decided to team up and start Unlock Art Kenya,” Khisa
says who shared his personal story with Akweyu during the lockdown days of the
pandemic. It was such a heart-wrenched story that the Elder decided there and
then that their next production had to be based on gender-based violence, with
Khisa’s mom being the unsung heroine of her son’s life.
‘Her son” is
not the first production that the two have staged together. Practically from
the outset, they have managed to create winning productions with captivating
stories and dances. They have also had success in putting together a winning
team of young dancers.
“We’ve auditioned
all over the country. So our troupe consists of dancers from Nairobi as well as
Kisumu, Bungoma, and Siaya,
The troupe
has lost some members during the pandemic, but has gained others. A few of them
will be performing with UAK for the first time on Saturday while others are
more seasoned.
After that,
they performed ‘Shepherds of the Night’ at the Caeli Catholic Church in Karen
in 2017, followed by “Souls: Rise from Sorrow” also at the Caeli Church and at
Kenya National Theatre in 2018.
But in the
case of ‘Her Son’, this story has extra-special significance, not only because
it mirrors the life and struggles of Khisa’s mother. It is also important
because it reflects a partnership that Unlock Art Kenya has with Mother’s Hope,
an NGO dedicated to assisting vulnerable women, be they single mothers, abused
women, or widows and orphans.
“Women’s
empowerment is central to Women’s Hope mission, which is another reason we
wanted to highlight the theme through dance,” Akweyu adds.
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