CAMILLE BRINGS TOP ARTISTS TO LEWA TO TEACH RURAL YOUTH
Camille's mural at Lewa ConservancyBy
Margaretta wa Gacheru (published 10 September)
Since moving
up to Nanyuki seven years ago, Camille Wekesa rarely comes to Nairobi. But one
of Kenya’s leading landscape artists had news she needed to share that has been
simmering up at the Lewa Conservancy for many months.
Camille is
best known for being a fabulous muralist although the walls that she has
transformed into exquisite works of art are mainly housed upcountry.
Six rooms,
inclusive of walls, ceilings and floors are up at the Ol Jogi Wildlife
Conservancy. These gems of Camille’s creativity are museum-quality work and
deserve to be on display for the world to see.
Her more
recent murals are up at the Lewa Conservancy where Camille has been running a
series of weekend art workshops with teens from the territory and a consistent
flow of leading Kenyan artists teaching the youth everything from the basics of
painting and woodcut printing to photography and ceramics created out of local
clays.
“The
children come from two of the twenty schools that Lewa has built as gestures of
good will towards the community,” says Camille who initially proposed the idea
of conducting art education classes to the Lewa board who endorsed her idea
readily.
“The
conservancies have realized that the best way to work with local communities is
by assisting them in solving their problems,” says Camille, who adds the
schools Lewa constructed were in remote areas of the Valley where no secondary
schools existed before.
“The Lewa
Art Education program have 30 teens from Lokusero Secondary and 35 from Ntugi
Secondary,” she adds. Admitting that she isn’t one of the art teachers herself,
Camille prefers to coordinate the program since she has several projects of her
own underway.
“Since the
art education program began, we have invited two professional Kenyan artists to
come at a time,” she explains. “I send a taxi to their homes so they arrive by
midday on a Friday. Then they work with the youth a half-day, then a full day
Saturday, and finally, another half-day on Sunday, before the taxi takes them
home by early evening,” she adds.
Thus far,
Camille has invited a rich variety of local artists who she stresses get a
stipend for their artistic labor. “We don’t believe that artists are always
meant to be donating their skills,” she says. Nor does she go along with the
notion that artists are always meant to be poor.
Art
education is something that Camille believes in strongly, and hopes that
programs like hers will stimulate greater interest in the Government to revive
an ‘examinable’ arts program in the national curriculum soon.
“I’m told
that arts education has been partially restored to the school syllabus, but it
is not examinable,” she says, recalling how fortunate she was to attend Kenyan
schools that had arts programs. They prepared her well to go to Italian art colleges,
first in Florence, then in Rome and Milan. “It was six years in total,” she
says.
Among the
artists who have given hands-on art classes at Lewa are a long list of local
luminaries: Patrick Mukabi, Peterson Kamwathi, Kevin Oduor, Beatrice Wanjiku,
MaryAnn Muthoni, Justus Kyalo, Tonney Mugo, Beatrice Wanjiku, King Dodge, Allan
Githuka, Fitsum Behre and his wife Nicole, John Silver, Syowia Kyambi and her colleague
Kibe, among others.
Meanwhile,
Camille has a range of other projects she’s pursuing at her home outside
Nanyuki. One is a new Primate Protection Program that she and her neighbors
just started. “We have been re-planting trees so extensively that the wildlife
has returned to the area. Thus, we wanted to find ways to work with people like
the National Museums of Kenya to protect our revitalized habitat,” she says,
having just come from a meeting with a NMK primate specialist before she met
with BDLife.
The other
project that Camille is involved with is painting a series of eight iconic
landscapes in Kenya that are World Heritage sites. Her plan is to house each
set of eight murals in a separate cottage as a form of documentation and
possibly viewer attraction.
The eight
sites that she will be painting are the Aberdares, Mount Kenya, Maasai Mara,
Samburu, Tsavo, Tuurkana, the Great Rift Valley, and the Taita Kaya Mounds.
None of this series will be for sale, she says.
“I will
paint similar views in oils on canvas which can be exhibited and sold. But I am
concerned with documenting the beauty of this country as we see it today, so
the murals will remain intact.”
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