DIGITAL ‘THEATRE FOR ONE’ TELLS KENYAN STORIES
By
Margaretta wa Gacheru (posted 1 September 2021)
Thespians
refusing to let their imaginations get lockdowned by the COVID 19
pandemic have come up with a whole new program for taking their theatre
transnational, cross-cultural and Kenyan all at the same time.
“It’s all
about collaboration,” says the Mombasa-born Karishma Bhagani who’s at the
centre of the new Kenyan edition of a set of micro-plays entitled ‘Theatre for
One: We are Here’,
The series
of six one-woman plays will be performed live online from September 15th
till the 27th, on Wednesdays, Saturdays, and Sundays. The six Kenyan
women playwright-performers [whose original plays will premiere on the 15th]
are Mumbi Kaigwa, Sitawa Nambalie, Aleya Kassam, Anne Moraa, Laura Ekumbo, and
Mercy Mutisya.
The entire
venture is the result of an ingenious collaboration ignited by Karishma and
including a high-powered slew of award-winning Western thespians. They are Bill
Bragin, executive artistic director of The Arts Center at New York University
Abu Dhabi who actually commissioned the six ten-minute plays for Christine Jones’
Theatre for One, the experimental theatre company that Ms. Jones founded back
in 2010. The venture is being produced by Mara Isaacs, founder of Octopus Theatricals
of New York, and assisted by Kenya’s own Rainmaker Limited and Nairobi Theatre
Initiative, both of which were founded by Sheba Hirst and Eric Wainaina.
Karishma’s role
in making the Nairobi edition of ‘Theatre for one’ become a reality has been,
as Bill Bragin put it in a zoom press conference last week, “a matter of
trust.”
Bragin, who
came from the acclaimed Tisch School of the Arts at NYU to launch the University’s
Arts Centre at Dhabi, met the young Kenyan at a theatre conference just a year
ago. But her enthusiasm for the theatre activities underway in Nairobi sparked
his interest.
Karishma has
been the executive producer for the Nairobi Theatre Initiative since 2019,
which is how she’s so conversant with the artistic talents who are now in last
minute rehearsals for their performances. She has also worked closely with
Rainmaker Ltd. since it was Eric Wainaina who she initially met and who
suggested she come on board as NBOTI’s executive producer.
At the time,
Karishma was producing the Ugandan International Theatre Festival as well as completing
her undergraduate studies at the Tisch School at NYU. But even then, she was
keen to see Kenyan theatre transcend traditional boundaries and find
transnational platforms on which to perform. Since then, she’s completed both a
bachelor’s and master’s degree in theatre arts, and will soon be starting a
doctoral program in theatre at Stanford University.
Nonetheless,
she’s been able to juggle her time and undying devotion to Kenyan thespians who
she has successfully linked up with some of the most dynamic and daring theatre
producer-directors in the States.
At their
press conference, Christine Jones admitted she was initially skeptical about
taking ‘Theatre for One’ online. But the pandemic compelled artists like her to
re-imagine the way they do theatre. “We want our audiences to feel a part of
our performances,” she said.
There is
little doubt that the six women artists who’ve been commissioned to perform
this month from Kenya are among our best.
Karishman
had worked most closely with three of the six who have been actively involved
in creating musical theatre with the NBO Initiative. Aleya Kassam, Anne Moraa,
and Laura Ekumbo (the LAM Sisters) have been working closely with Eric and
Sheba for several years. The three also worked actively with Sitawa Namwalie in
‘Brazen’, which was an original script re-examining Kenyan history from a
feminist perspective. Mumbi Kaigwa is a veteran woman actor, playwright, and
producer-director whose original productions have won her international
acclaim. And Mercy Mutisya is a rising star on the local theatre, television
and film scene.
Plus the six
also work with dynamic women and men behind the scenes to perfect their performances.
They include Nyokabi Macharia, Esther Kamba, the Damascus-born Kholoud Sawaf
and the Yugoslavian-American director SRDA.
The original
scripts they will be staging online are ‘The Interview’ by Aleya Kassam, ‘The
Living Ghost’ by Mercy Mutisya, ‘Aging’ by Laura Ekumbo, ‘The Beanie’ by Mumbi
Kaigwa, and ‘Killer Cop Lives Fast Life’ by Sitawa Nambalie.
The scripts
address a wide range of diverse topics. The challenge to the actors is large,
especially as all their rehearsals have been online, just as their performances
will be. Accompanying the commissions from The Arts Centre of NYU Abu Dhabi will
be workshops aimed at strengthening the theatrical skills of all the Kenyan artists.
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