Ayub singing 'Kothbiro' at African Heritage House, 2012
Ayub Ogada
died a little more than three years ago. In his prime, he was renowned for
being Kenya’s most acclaimed nyatiti player and a leading singer-songwriter as
well.
Alliance
Francaise has an annual “Tribute to Ayub” which took place March 2nd,
and it was packed with a multitude of young nyatiti players and other local
musicians who vowed not to forget the memory of this great Kenyan artist who
happily performed in his own Dhuluo language all over the world.
Another
person who had a special connection with Ayub and who also feels passionate
about ensuring that upcoming generations of musicians and poets don’t forget this
maestro of Kenyan music is the photographer and ceramicist Lin Qi. He’s
remembering Ayub by creating his idea of ‘street art’.
Lin was
living and working in Kenya more than a decade ago when he first met Ayub at
African Heritage House and took photographs of an event where the musician was
the star attraction of the day. After that, Lin invited Ayub to perform at his
wedding, also at African Heritage House. But it was one special photo that he
took in 2012 that stands out as an iconic image of the artist. In it, Ayub is
playing the nyatiti, and in the background is a blissful view of Nairobi
National Park.
It is that
image that Lin is using to immortalize Ayub. He’s creating a gigantic ceramic
tile mural with that image transferred to it. The finishing touches were just
being put on the wall mural when BDLife met Lin in Kahawa West.
“I couldn’t
have done it without the help of several people who really like the project,”
says Lin who came back to Kenya in 2020, now happily married to the Japanese
diplomat, Kazumi Kawamoto who is based with the United Nation in Mogadishu.
“She comes
back to Nairobi periodically. But in the meantime, I keep myself busy with
interesting projects,” he says, noting that he recently returned from Lake
Turkana, having been accompanied by a camel that he got from the flock owned by
the Kenyan environmentalist Piers Simpkin.
Lin admits
the walk is not the sort of journey that would attract many international
tourists. But having worked in Kenya, providing 3D printers and other machinery
to Vocational Schools all around Kenya, he doesn’t quite consider himself an
ordinary tourist.
Standing
below the scaffolding that his fellow workers had been perched on while they put
up the 54 ceramic tiles over the past week, Lin says he has three sponsors to thank.
There’s the
ceramic manufacturing company in Kajaido that Lin says is the only one in Kenya
with machines large enough to print his black and white image of Ayub on their ceramic
tiles.
“The mural
is 3.6 metres wide and 2.4 metres tall with each tile being 40 cms by 40 cms,”
he says. It didn’t hurt that the mechanical engineer who runs the Kenya
Ceramics Company (KEDA) is Chinese like Lin.
But the
Kenyan workers who helped Lin put up the tiles on one side of the busy Quick
Mart shopping centre came from Lin’s second sponsor.
“They are professional
construction workers with AVIC, my former employer,” says Li who was a project
manager with the State-owner aviation firm up until he wed and moved to Haiti, Gabon,
and the US.
“Normally
they are busy building the Global Trade Centre right next door to the Kempinski
Hotel,” he adds.
The third
sponsor was the one who helped him find a wall big enough in Eastlands to show
off Ayub’s mural prominently for the public to see was French-owned Konnect
Africa.
“They are a
new ‘low-cost’ service provider that is currently providing internet services
all over Eastland,” says Lin who also happens to know a senior manager at
Konnect who is another Chinese engineer.
“They all
have been happy to help me,” says Lin who was trained in aeronautical
engineering at Xi’An University, in the same town (of Xi’An) where thousands of
terracotta (or ceramic) soldiers have been excavated since 1974.
“These
life-size ceramic sculptures were commissioned by China’s first emperor [Qin Shi
Huang Di] to guard his burial site in the afterlife,’ says Lin who was inspired
by the durability of the terracotta army.
“The good
thing about ceramics is that they’re fragile but durable,’” says Lin who is
glad the mural stands about 10 feet above a giant red Coca Cola ad, so everyone
can look but not touch Ayub’s mural.
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