By Margaretta wa Gacheru
Stand-up
comedy is not a genre of theatre that I’m well informed about. The only
stand-up comedians I know are Churchill, Eddie Murphy, and Chris Rock, and that
is it.
But when I
got the invitation to watch Madam President aka Esther Kahuho in ‘The Man-Made
Woman’ at Kenya Cultural Centre, I was intrigued. I’d never seen a female
stand-up comedian, so I was hopeful she wouldn’t let me down.
One reason I
shy away from stand-up is because I feel humor and comedy are so
culture-specific that one joke that’s hilarious to one group can easily falls
flat for another.
Humorists
themselves will tell you they have to sweat to figure out the jokes that their
audience will lap up. He or she has to be highly attuned to their audience
which is why some comedians take years before they develop the kind of rapport
with their audience that can tune in to their sense of humor and wit.
A group like
Heartstrings has cultivated that kind of rapport. But I had no idea Esther
Kahuho had it among her fandom as well. What I saw and felt last Saturday night
was a rising tide of the audience’s love and adulation for Madam President who
gave an electrifying two-hour performance.
She’s a
brilliant storyteller whose series of hilarious will-threaded tales kept her
full-house crowd in stitches from beginning to end. Ever-engaging, she directed
her stories straight at her audience as if she knew they were fully-attentive
to all her jokes.
One reason
her stories went down so well is because in them, she was speaking about what
she knew best, namely herself. But she did so in such a self-effacing yet
confident style that we appreciated all that she had to say about what in
effect is ageism.
Even as she
did, she was in non-stop motion, illustrating the energy she proceeded to boast
about. Ever-animated, one couldn’t take their eyes off her since she told her
stories with both body and soul.
Admitting
that she had put on weight since she was last seen on stage, she never
explained that five-yr ortold us where she had been Bt neither her weight nor
her age hampered her from dancing throughout the show. And starting off with
the story about why she was looking forward to go to school. “It wasn’t to
study; it was to play,” she’d said; and that spirit of playfulness was
consistently confirmed throughout her show.
Admittedly,
her playfulness often got her in trouble, but she even took delight in telling
those ‘criminal’ stories, like how she got expelled from Sunday School!
In Loresho
Primary, she said there were two types of children in the school according to
her teachers. There were the bright ones and the criminals. She had a sister
who was considered bright, but then there she was, cast among the criminals.
She admits
she deserved the status. But she seemed to partly attribute her perfect sense
of mischief and play to her reacting to her mother whom she described as a
‘house-wife-aholic, meaning she was super-big on her children doing so many
household chores that Esther never had a moment at home to have fun and just
play.
Again, in
self-deprecating style, she admitted she was ‘notorious’ for her ways of having
fun. But then, she got to secondary school and found the scene stricter. This
was also a time for learning about boys and also learning about being a girlie
girl.
One of the
funniest bit in her show was when she had to struggle with her flat chest. She
felt she needed boobs, and finally discovered tissue paper to use as padding.
That worked fine until she met a boy and then the tissue slipped and that was
the end of that.
After
graduation, there was job hunting and working mostly for Asians. But she got
sacked by her first Asian boss who she claimed passed the word to the whole
network of fellow Asians.
These and
many other stories told with a brilliant sense of timing and bouncing flare,
Esther framed her whole show around her arrival at age 40. She got two standing
ovations from her fans, and she promised to perform again on My 31st.
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