By Margaretta wa Gacheru (posted 1 June 2022)
Crony
Productions got their act together at last. In ‘Goods, Lost Twice’ they tackle
well-worn themes of infidelity, betrayal, and reconciliation. They also defer
to patriarchy and the status quo.
But the show
is definitely entertaining escapism. That’s because it has got a snappy script,
tighter direction, and a cast that has grown to include characters like Bilal
Wanjau who will hopefully stick around with Crony for some time.
The company
is also smart to stick with the ‘heavy-weights’, the more experienced cast
members to carry the key roles. What’s more, the minimalist set works well,
enabling set changes to be simple and swift.
The only
flaw to Crony shows is that they are only staged for one day. That means their fans
are turned away, and the public frustration doesn’t add cultural capital to the
Crony crew. So, they had better keep their promise and add more performance days
next time.
The other
big asset in the Saturday production at Alliance Francaise was the powerful
emotions and persuasive passions that went flying across the stage from Cindy Kahuru
the first moment she stepped foot on stage.
He has
clearly blown it, but for several minutes, no one but Nick Kwach’s character knows
what he has done to enrage her so deeply. He tries to implore her to forgive
him and come back to the pre-wedding party since all his relatives have come
from rural areas to witness his wedding. But she is apparently fixed on bailing
out on this man. It is understandable once we learn that he had slept with his
former girlfriend earlier that day, even as he attended their daughter’s
birthday party and learned the same girlfriend is pregnant with their second
child.
I would be
out of there too, if that was my situation. But Nick’s character is clever.
When he finds that she has a list of all of his former girlfriends that she
plans to put on social media, they fight over who will have a hold on it last.
It’s a bitter battle and in the process, she bangs him up a bit. But it’s sufficient
for him to claim damages and demand compensation.
Thus, comes
the big family pow-wow where both of their relatives are represented. Victor
Nyaata advocates for Nick’s side of the argument, while Bilal Wanjau is
spokesman for Cindy’s side. Naturally, the debate gets messy, especially as
Wanjau announces he wants compensation comparable to the first time they made
him pay for his infidelity with the other woman while he was engaged to their daughter.
Nick’s
family refuses to back away from wanting their own compensation for the damages
Cindy had inflicted on their son. So, since negotiations are going nowhere,
they end in disarray.
Ultimately,
Nick works his magic and gets his cake and eats it too. Cindy comes back as the
loving compliant woman who forgives him for all his infidelities, including the
second pregnancy being confirmed on their wedding day.
But it isn’t
quite that simple.
Not only has
his fiance’e (Cindy) been messing around behind his back. So has his Best Man
(Victor) and the Best Man’s wife!
But that’s
not the half of it. Cindy’s character has a daughter by some anonymous man,
someone who happens to be the Best Man! What’s more, the Best Man’s wife has a
child that doesn’t have Victor’s character for a dad. Instead, it's Nick who
fathered that one as well.
So, everyone
has a cross to bear. But fortunately, since “infidelity” seems to have been
normalized in the foursome’s eyes, and since they all have been living for
years with kids of mixed blood lines, all’s well that ends well, as if they are
one big happy family.
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