It’s tempting to suggest you won’t enjoy ‘Voices of the Bible: Kings and Leaders’ nearly as much if you don’t have a slight grounding in the Bible, especially the Old Testament.
If you
haven’t read about the trials and tribulations of men like Moses and Jeremiah
or even John, who was exiled on the island of Patmos, then you won’t understand
how brilliant Gillette Elvgren’s script is.
But if you
love watching sterling performances by some of Kenya’s finest actors alive on
our stage and screen today, then you won’t want to miss “Kings and Leaders’
because these are the leading roles they play.
In fact, scriptwriter
Gillette specifically focuses on the leading men in numerous scriptural tales. He amplifies their innermost feelings as they reflect on their lives, and the
reasons they are in the Bible in the first place.
In Moses’s
case, it’s to deliver God’s chosen children out of bondage in Egypt into the
Promised Land which he is destined not to reach himself. In the case of the
prophet Jeremiah, it’s to lament the children of Israel’s neglect of their God
and the tragic times they’ve gotten themselves in because of that forgetfulness
of the blessings they received from Yahweh, their name for God.
And John’s
the one who wrote those scary bits in Revelation, the meaning of which scholars
have been trying to understand for centuries, especially what he ultimately
sees in ‘a new heaven and a new earth’.
But even if
you haven’t a clue about what happened to guys like Aaron (Sam Psenjen) or Eli
(Steve Katingima) or even Uriah (William Mwangi) who dies so masterly on stage,
declaring his loyalty to King David who’d just had him killed to conveniently
snatch his wife), they all gave spellbinding performances. And most everyone
(even heretics and atheists) will have heard about Adam (Elsaphan Njora), Moses
(Justus Mirichii), and Paul (Mugambi Nthiga), all of whom were equally
riveting in their roles.
Elsaphan Njora
The lighting
at Braeburn Garden Estate isn’t the best for this type of production. But
sound-wise, the eight actors brought together in this Chemi Chemi Players
production harmonized melodiously in acapella style on everything from popular
Swahili hymns to one Black American gospel song to the show’s culmination with
a deeply moving performance of Kenya’s National Anthem.
In fact,
‘Kings and Leaders’ is the kind of show that sticks in one’s head long after
you watched it. It leads you to appreciate how deeply the scriptwriter delved
into the innermost thoughts of those key characters. Of course, it can be seen
as fiction since she didn’t know any of her characters personally.
But take a
guy like Adam (Elsaphan Njora) who’s mainly remembered as the guy responsible
for ‘the original sin’ of disobeying God. Elsaphan explores the loneliness that
‘first’ mortal man must have felt, having no one to talk to but Eve. That same
reflective, soul-searching point of view is seen in almost all the characters.
They include everyone from Pharaoh (Kevin K1 Maina) who lost his first son, to
Eli (Steve Murage) the priest who also died on stage after confessing his
‘sin’, that of envy over young Samuel’s hearing the word of God directly, not
him.
William Mwangi
Yet the play
has several surprisingly funny scenes, like the reenactment of a light-hearted
Sunday School Biblically-based performance of the cast playing school boys
overdramatizing their roles. It started with Purah (Mugambi Nthiga) who drew
us into his enchanting childhood recollection of his Sunday School reenactment
of the story of Gideon (William Mwangi) and the angel (Kevin Maina) from the
book of Judges.
The other
comedic moment was captured by Sam Psenjen playing Matthew, the tax collector
whom Jesus picked to follow him. Previously only seen as a corrupt tax man,
even by Jesus’s own disciples who were shocked at their master’s selection,
Matthew was philosophical in his light-hearted appraisal of how many ways
people cheat themselves, and even cheat God.
Kings and
Leaders is very different from Chemi Chemi’s previous production of the
all-women show, “Spread your Garment over me’ which projected the lives and
feelings of women characters in the Bible. The latter was a slightly more
accessible script. But the quality of the casts and the direction by Julisa
Rowe are the same.
What’s also
amazing about this production, which will be running again this weekend (so
don’t miss), many in the cast have moved over to making films. So, we’re happy
to see them back on stage.
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