Kobo Trust
was alive with artistic energy this past weekend when all the artists working
there held their second Open Day exactly one year after they organized their
first Open Day in July of 2021.
It was a day
that included not just a Group Exhibition in which all eleven resident artists
displayed one painting each in the Trust’s Great Hall. There were exceptions
made for the newcomers to Kobo, namely Iona McCreath, Aron Boruya, and this
year’s Guest Artist, Elnah Akware, all of whom got a chance to show more than
one of their works. The other exception was made for Onyis Martin’s three
sculptures since he displayed just one painting, and the three were
retrospective in nature and the only three-dimensional pieces in the show
There was
also a sale of artworks by the artists, including a 30 percent discount on the
original sale price of the art. In this case, most of the works were slightly
smaller, but the quality of the paintings was not diminished by the size.
Then, as all
the artists had their studios upstairs (apart from Iona McCreath who shares her
space downstairs with her mother Ann and her chic African clothing company,
Kiko Romeo), a trip upstairs was imperative to get the full feeling for the
show.
That was
where we found the energy flying high as visitors came upstairs to be
spellbound by the artists telling stories about everything from their
techniques to their childhood to the retrospective nature of much of their
art.
For
instance, Onyis had to tell us why his papier mache boat was on the
floor in the main exhibition hall.
“I was
experimenting with different materials and concerned about the problem of
migrants traveling from Africa trying to reach Europe,” Onyis tells BDLife.
“The boat symbolizes the treacherous journey they take, and the rock-like
pieces on the floor next to the boat symbolize those who died trying to migrate
abroad,” he adds.
Timothy
Ochola was also concerned about people looking outside themselves for a savior
rather than seeing one within themselves. “That’s why I called my painting
‘Questions,’” says Ochola who, in addition to painting, teaches Landscape
Architecture at Jomo Kenyatta University.
The exhibition features a number of university graduates, not all of whom graduated in fine art. For instance, Paul Njihia majored in Marketing and Commerce. But he’d been drawing since primary school. “I spent half my life in school, 16 years, so it’s no wonder I like to paint school children,” he says, referring to his painting entitled “Dining Hall, Prayer Day.” “With elections coming up, this is what they’ll be doing on that day,” he adds.
Kobo’s guest
artist this year, Elnah Akware, also graduated from Kenyatta university, but
unlike Njihia, she actually studied fine art. “I knew, by the time I got to
secondary, I wanted to study Art and Music,” says Elnah whose dad backed her
decision, including having her attend university. But her early years are the
subjects of her woodcuts. “We used to eat mushrooms every morning before we ran
to school,” she says, explaining why mushroom prints are in both the group show
and the Open Day sale. A lover of fashion as well as furniture, Elna plans to
have her own fashion house and furniture store in future. She’s got the passion
and ambition to do both.
The other
fashionista at Kobo is Iona McCreath who’s already created whole collections of
unique garments. “My latest collection was inspired by Swahili culture using
fabrics made out of things like orange peels and Lotus leaves,” says Iona whose
concern for sustainability compels her create clothes with a social message.
Cyprian is a
second-year university student who’s been having tutorials with Kenyan artists
like Onyis ever since he was 14 years old. “I’d come study and paint with him
on weekends and during school holidays,” says Rasto who, now 21, has already
been in this year’s Venice Biennale alongside the likes of Njihia, Onyis, David
Thuku (who is also at Kobo), and Michael Musyoka at the AKKA Gallery.
Some of the
other artists featured at Kobo’s Open Day included Onesmas Okamar
(‘Empowerment’), Nadia Wamunyu (“Black Mirror”), Lemek Sompoika (“Identities”),
Taabu Munyoki (“Rosemary Munyoki”), and David Thuku (“Red Room”), all of whom
created figurative imagery in their art.
The one
thing all twelve artists seem to share is their love for experimentation. As
Onyis put it, “Experimentation is the only way to grow and discover the
resources one has within one’s self.”
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