By Margaretta wa Gacheru (August 2020)
After
watching Beyonce’s new film, ‘Black is King’, one can’t help feeling her musical
performance in Disney’s ‘Lion King’ was a prelude to her own creation of this
sumptuous cinematic show.
Taking a cue
from the acclaimed coming-of-age classic that Disney just re-presented in 2019
following the film’s original animated success in 1994, this mother of three
explores alternative avenues of upbringing that a new-born black child might
take on his way to becoming a king.
In the
process, Beyonce reimagines a whole range of extravagant artistic possibilities
that she’d make available to her own black prince and future ‘king’ (played in
BiB by her son, Sir Carter).
But don’t expect
‘Black is King’ to be a children’s film. The child serves as a metaphor for the
new opportunities that Beyonce takes up as a black artist who feels absolutely
entitled to explore on as vast a scale as she can find, including an ocean,
open sky and expansive Tunisian sandscape.
Filmed in
the same spirit as Marvel’s ‘Black Panther’, Beyonce is black, proud and
inclined to prove her prowess as not simply a singer, but a filmmaker as well.
The African
American entertainer who is also a choreographic queen actually scripted,
starred in and co-produced her latest creation with one of the biggest
entertainment firms in the world, Disney.
Creating far
more than a glorified music video, the sheer beauty of the film’s cinematography
quickly confirms that ‘Black is King’ has a deeper, more majestic message.
It’s complicated,
colorful and almost cosmic at times. It’s also lyrical, steeped in African
proverbs, wisdom and poetry, including verse by the Kenya-born Somali writer,
Warsan Shire, (whose poetry also featured in Beyonce’s 2016 feature-length film
‘Lemonaid’).
Best of all,
the music by both African and African American artists is diverse, unflagging
and invariably accompanied by exquisitely attired and choreographed dancers
often led by Beyonce herself.
In fact, ‘Black
is King’ might alternately be re-named Black is Queen since it is the Queen B’s
(as she is known to her most adoring fans) movie from start to end. Yet her
message is not merely self-glory. Not by any means. For while her film confirms
that ‘Black is beautiful’ in the most emphatic way, it also embodies the
singular message that ‘black lives matter.’
But rather
than the film finally making a political statement, one ultimately sees that
Beyonce is also talking about family. For towards the end of the film, who
should show up but her mega-music mogul husband and rapper J-Z. Not that he
plays a major role in the film. He has one number with his wife, but he mostly
hangs out with their three kids, including their twins.
But just as
‘Lemonade’ was ultimately a music video feature that proclaimed her
independence from her cheating spouse, so ‘Black is King’ is implicitly about
reconciliation and the joy of being Black and beautiful, and mattering as a
family that is regal, righteous and richly gifted in many different ways.
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