By
Margaretta wa Gacheru (written August 1, 2022)
While Myrna
Van Der Veen was making her debut at One Off Gallery last weekend, a number of
well-known local artists were also being represented at the Gallery during this
mixed exhibition entitled ‘Leaves of Life.’
A newcomer
to the Nairobi art scene, Myrna has the good fortune to be associated with an
outstanding array of artists, including everyone from Fitsum Berhe Woldelibanos,
Peter Ngugi, Anthony Okello, and Yony Waite to Olivia Pentergast, James
Mbuthia, Mark Lecchini, and Ehoodi Kichapi.
The Dutch-Indonesian
artist has actually been doing her painting, photography, and sculpture quietly
in Kenya for the last seven years. But she says she’s been shy to set foot on
the local art scene.
“My
background is mainly in sculpture, but there was a lot of photography and fine
art training that went with it,” says the soft-spoken artist who has brought
only painting and photographs to her ‘premiere’ at One Off.
She has just
seven works in the show but what’s intriguing about them is that they’re in dialogue
with one another. For instance, she has four photographs in The Loft side of
One Off, each looking like abstract art until she explains, “They have all been
taken of Lake Magadi from a helicopter flying at various altitudes.”
Suddenly,
this aerial view of the Salt Lake is clarified. Those squiggly lines are flocks
of flamingos flying over the lake while others are feeding on the algae in it. And
the obtuse shapes are parts of the lake that haven’t dried up as well as other snow-white
areas which are filled probably with dry salt. Now the imagery is clear, and
one can even see the way her large painted abstract work reflects the mood she
says she feels after spending time with the photographs. “The painting and the
photographs are in a conversation with one another,” she says. “The painting,
which I call ‘The Beginning’, reflects the feeling I get from my photographs.”
The painting
is also filled with rich colors and texture since Myrna loves to mix her own
pigments (rather than use store-bought tubes of paint) using everything from
sand, leaves, and iron powder to gold leaf, wood fiber, and bronze.
“My parents
were both scientists and didn’t really understand my art. But my father was a
chemist and a pharmacist who taught me about mixing elements to create specific
effects,” she says as a way of explaining one reason why she creates her own
original colors from elements that she can blend.
On the
Stable side of the gallery, Myrna has two more pieces, one a photograph, the
other a painting inspired by her photo of a lone fisherman pulling his fishnet
in the sea. “For me, he represents the laboring people, and I call it ‘The
Passion’,” she says, alluding apparently to a correlation between his struggle
to carry his net home and the Christ who carried his cross to his crucifixion.
But the
conversation her painting has with the photo has more to do with the brilliant turquoise
blue of the water than some religious connotation. It’s a work that’s also rich
in texture since the pigments used are again blended from miscellaneous
elements.
Myrna also
speaks openly about having been adopted, and thus, her art always being about
identity and the questions that arise from her not knowing her birth parents
and why they put her up for adoption. They are questions she has only been able
to address through her art.
Meanwhile, if
anyone missed the previous exhibitions by Okello and Mbuthia, a portion of both
have stayed on in the Gallery. But a lot of new works are also on display.
Olivia has
responded to popular demand from those who had wanted to see more of her
landscapes which currently cover one whole wall in The Stables. Each is a small
gem of Kenya’s natural beauty. Fitsum’s paintings are also new as Mark Lecchini’s
and Ehoodi Kichapi’s. Fitsum rarely paints portraits of women, but one of his
works in this show is a ‘Madonna’, which is captivating and most colorfully
drawn.
But for me,
what was most gratifying were vintage prints by Yony Waite of the wildlife that
she lives with out at Athi River for many years. That is where she used to see
zebra and ostrich on a daily basis. That’s not so much the case today; but her
solo portraits of these elegant creatures drawn in black and white ink and
pastels are classics.
Leaves of Life
will run up until 20th August.
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