Light into Darkness by Native at Afro Renaissance, Alliance Francaise
By Margaretta wa Gacheru (posted 13 August 2018)
Afro-Renaissance isn’t just a book or an artists’ catalogue
of paintings, photography, poetry and prose.
Nor is it simply the title of an art exhibition currently
underway at Alliance Francaise that opened last Friday night with performances
of poetry and graffiti artists covering the pillars in the ground floor
exhibition hall with Kenyanised hieroglyphic-like graffiti art.
Live graffiti hieroglyphs by Kerosh at AfroRenaissance
Afro-Renaissance is meant to be a cultural movement of young
Kenyans who are committed to not just changing the stereotypic narrative of
Africa as a land that had no history until the colonizer came. They are artists
keen to reclaim their people’s history dating back to the times when Africans
presided over their own destinies.
Spearheaded by two young artists known simply as Native and
Sogallo, the two largely look to the stars to imagine the limitless
possibilities that are open to creatives who, like themselves, are keen to take
part in the cultural ‘re-birth’ that they see as already underway.
Ancient Astronaut by Native
Two visionaries, Native is the painter with a background in
architecture and fine art while Sogallo is the conceptual photographer and
digital artist. Buddies since secondary school, the two have been planning to
take this positive approach to their art for quite some time. In fact, less
than a year ago, they put up their first edition of Afro-Renaissance at the
British Institute of Eastern Africa.
But their vision and sense of purpose has grown over the past
year. Their first volume of ‘Afro-Renaissance’ the book, is evidence of that
progress. So is the poetry contained in the soft-cover catalogue of the art
included in their AF show.
In a sense, one feels the two are on a mission to convince
their fellow Kenyans that they deserve to reclaim a glorious past, particularly
an ancient time when kingdoms and civilizations were guided and governed by
celestial powers.
Those powers are manifest in Native’s paintings especially.
Works like ‘Empress Moon’, ‘Queen’s Lady’, ‘High Priestess’ and even his ‘Sing
to the Moon’ all reflect his fascination with otherworldly powers. He even
raises the wild possibility of African civilizations having their origins in civilizations
that arrived from realms beyond our planet earth. His ‘Ancient Astronaut’ (who
looks like another elegant goddess or exotic deity) gives a tangible testimony
to the uncanny speculations of the German author Erich von Daniken who wrote
‘Chariots of the Gods’ back in the late 1960s.
Empress Moon by Native
Empress Moon by Native
Von Daniken wondered about whether planet earth might have
been populated by ‘astronauts’ from an advanced civilization from another
planet altogether. His book created quite a stir at the time, and it clearly
sparked the Native’s imagination as well.
What if Africa had at one time been populated by peoples who
were way more advanced than any existing in the world today? Who can frankly
refute that possibility?
Sing to the moon by Native
Sing to the moon by Native
Sogallo’s abstract imagery blends well with Native’s otherworldly
themes. This is especially true when the painter takes a turn from the
celestial and spiritual speculations to painting about ‘the dark side’. Works
like ‘Light into Darkness’ and ‘War Child’ I and II reflect on the darker
dimensions that seem to permeate much of Sogallo’s digital art and photography.
Starting with Sogallo’s ‘Gemini’ I and II, we can see that
their Afro-Renaissance has its own version of what the Italians called
chiaroscuro which relates to the combination of light and darkness. Sogallo’s
‘Ghosts’ has a haunting effect as does his ‘Peponi’ and ‘Zimwi’, both of which
could also bear witness to those ‘ancient astronauts’ who might have arrived
here in non-human forms, the stuff that science fiction is made of.
In the end, Native doesn’t ignore the dark side, as can be
seen in his two ‘war children’, both of which are painted (like most of his
works) not on canvas but on colorful kitenge cloth. The contrast between the
paint and the geometric textile designs enhances the beauty of Native’s beings,
all of whom seem transcendent in a way.
Native (in a Mask)
Native (in a Mask)
Then too the contrast between Native’s colorful works and
Sogallo’s mainly black and white digital art also adds interest to this show.
Equally the graffiti art drawn by Kerosh, Chela, Kaymist and Native on the
exhibition’s opening night enhance the feeling that indeed this exhibition has
a live element to it, even an element attuned either to the ancients or to the
stars.
This is how Leonardo da Vinci started his art Renaissance...kudos guys. Sogallo keep going bro.
ReplyDelete(Sogallo) thanks! We will keep going!
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