By
Margaretta wa Gacheru (posted 27 August 2018)
They
are nine incredible women “pioneer” artists whose impact on East African art
has yet to be fully grasped, but who nonetheless are forces to be reckoned
with.
That’s
why they are all assembled in one remarkable exhibition, simply entitled “Pioneer
Women in the Arts”, which is opening this coming Sunday afternoon in the
Nairobi Gallery (the old PC’s HQ) right next to Nyayo House. Researched and
curated by Alan Donovan of African Heritage House and the Murumbi Trust, the
show will feature not only paintings and drawings, but also ceramics, books and
glass sculpture by women who’ve lived and worked in East Africa for many decades.
A few
of the nine are no longer with us, namely Margaret Trowell, Joy Adamson and
Robin Anderson. But all three are still having an impact on the region, if for
no other reason than the rich legacy they have left, both cultural and
institutionally. For instance, Margaret Trowell is the reason Makerere University
has a brilliant art department: she started it. Joy Adamson’s books, films and
TV series which were all based on her life raising baby lions and cheetahs ‘in
the wild’ have literally led millions to associate Kenya with wildlife and
adventurous safaris. And Robin Anderson’s starting up the first major commercial
art gallery in Kenya, Gallery Watatu, with Yony Waite and David Hart paved the
way for what’s become the burgeoning art scene that we have in Nairobi today.
But the
remaining six in the Women Pioneers show are no less formidable artists whose
influence and impact have been both aesthetic (because their artworks are
beautiful as everyone will see who comes to Nairobi Gallery any time through
September) and educationally since they all have been teachers, lecturers and/or
mentors of artists who have followed in their wake.
For
instance, Rosemary Karuga who is the first Kenyan woman to attend Makerere’s
art department (1950-52) under Margaret Trowell also taught Magdalene Odondo
who’s not only Kenya’s first OBE, (given to her by the Queen Elizabeth in 2008).
Professor Magdalene is also the first Kenyan woman Chancellor of the University
of Creative Arts in Farmham, UK.
Then
there’s Geraldine Robarts who, in addition to being an indefatigable painter
who’s exhibited all over the world, was a lecturer in fine art first at
Makerere, then at Kenyatta University. (She’s taught everyone from Elkana
Ong’esa to Gakunju Kaigwa.) She’s also trained rural women and men in a range
of self-help projects, from weaving sisal tapestries to solar-drying fresh
fruits and vegetables that would otherwise go to waste.
Then
there’s Theresa Musoke who spent 20 years teaching and painting in Kenya, at
KU, the International School of Kenya and Kestrol Manor. She also exhibited
everywhere from Gallery Watatu and National Museum to Paa ya Paa Gallery and
African Heritage. But before that, this brilliant Ugandan artist got her first
fine art degree from the Margaret Trowell Art Department at Makerere, her MFA
from University of Pennsylvania in the US and in between, she won a
Commonwealth scholarship to study printmaking at the Royal College of Art in
London where she won accolades for her work.
The
last two women are also artists and educators as well as innovators who have
dared to branch out and break new grounds with their art. Nani Croze is not
only a painter and muralist. She founded the first jua kali glassblowing furnace in Kenya which evolved into the
Kitengela Glass and Research Trust. She’s run countless glass art workshops, (some
for slum children). But she also founded the first Rudolf Steiner School in
East Africa and started the Kenya Arts Diary which annually showcases a wide
variety of contemporary Kenyan artists.
And
finally, Yony Waite’s name is synonymous with Gallery Watatu since she, Robin
and David Hart founded it, opened the doors for artists like Jak Katarikawe,
Ancent Soi and Etale Sukuro to exhibit there. She also founded the Wildebeeste
Workshops, one in Lamu where she’s worked with women groups to create
tapestries that tell their stories, the other at Athi River. Yony has also
fearlessly employed her art to advocate for issues she cares for passionately,
such as peace and gender equity.
Truly,
all nine of these women are pioneers who’ve paved the way for others to follow,
such as Syowia Kyambi who studied under Theresa, Anne Mwiti who lectures as KU
and Moira Bushkimani who with Janice Iche and Peteros Ndunde will be exhibiting
next Saturday week at The Attic Art Space.
.
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