By
Margaretta wa Gacheru (posted 12 August 2018 for Awaaz)
After the
Phoenix Theatre died in 2016, there were countless forecasts of the impending
demise of Kenyan theatre generally. The ridiculous irony of such chatter was
that the loudest doomsday forecaster were guys who had rarely if ever shown
their faces at a Phoenix show. They were also the ones who boycotted because
they claimed Phoenix was a vestige of the old colonial order.
Yet what
these cultural critics hadn’t foreseen or even included in their hasty
assessment of the Kenyan theatre scene was the role that women would play in
not just reviving the local theatre world but uplifting it to a better life than
it had seen in many years.
It was
actually decades ago when women like Mumbi wa Maina and Janet Young created
brilliant new shows through their Tamaduni Players. An original script like ‘Portraits
of Survival’ was inspired by the likes of Ngugi wa Thiong’o and Micere Mugo
whose ‘Trial of Dedan Kimathi’ (which represented Kenya at FESTAC in 1976)
effectively kick-started a revolutionary phase in Kenyan theatre. That phase
was tragically truncated not long thereafter when the Kenya Government bulldozed
the Kamiirithu Theatre and shut down Ngugi and Ngugi wa Mirii’s powerful Kikuyu
play, ‘Ngaahika Ndeenda’ (‘I’ll marry when I want to’).
Nonetheless,
Micere’s role as a pioneer in contemporary Kenyan theatre was solidly
established with the ‘Trial’. More often she’s lauded for being a brilliant
poet, and as such, both roles were recently recognized and paid homage to in
the introductory scene of ‘Brazen’, the Fourth Edition of the new and
innovative theatre company, Too Early for Birds.
Professor Micere’s
poem, ‘Daughter of my people, sing’ raises so many questions about why women seem
to be absent in Kenyan history. It was those questions that the three script-writers
of ‘Brazen’ sought to answer when they created one of the most inspiring and
multi-layered productions seen at the Kenya National Theatre in recent times.
Aleya Kassam, Laura Ekumbo and Anne Moraa went ahead and did their homework, researching the whereabouts of the most heroic women freedom fighters in Kenya’s past. ‘Brazen’ highlights the tremendous contributions made by five outstanding women, namely Mekatilili wa Menze, the Giriama woman who led a resistance movement against the British colonizer in 1913-1914; Wangu wa Makeri, the first female Chief in Kikuyuland, Field Marshall Muthoni wa Kirima, the top-ranking female freedom fighter in the ‘Mau Mau’ Land and Freedom Army; the nameless woman who brought down the legendary Luanda Magere, and the great Kenyan-Asian writer and rebel, Zarina Patel.
Aleya Kassam, Laura Ekumbo and Anne Moraa went ahead and did their homework, researching the whereabouts of the most heroic women freedom fighters in Kenya’s past. ‘Brazen’ highlights the tremendous contributions made by five outstanding women, namely Mekatilili wa Menze, the Giriama woman who led a resistance movement against the British colonizer in 1913-1914; Wangu wa Makeri, the first female Chief in Kikuyuland, Field Marshall Muthoni wa Kirima, the top-ranking female freedom fighter in the ‘Mau Mau’ Land and Freedom Army; the nameless woman who brought down the legendary Luanda Magere, and the great Kenyan-Asian writer and rebel, Zarina Patel.
‘Brazen’
amplified the lives of all five of these amazing women whose role in Kenyan
history they play insist must never be forgotten. But neither is ‘Brazen’ to be
forgotten since it is the first all-female show that exclusively featured women
in both the cast and the crew. What’s more, the integration of music, dance and
dramatic effects was impressive, especially as the lighting and sound were all
handled impeccable by female technicians.
The actors
in ‘Brazen’ were also outstanding. Some were in their early twenties, others
were decades older than that. But what also made the script impressive was the
way the writers researched their script, just as Janet Young and Mumbi wa Maina
more than forty years before.
But if ‘Brazen’
confirms our assertion that women are taking the lead in reviving and
renovating Kenyan theatre, the show does not begin to tell the full story of
what women are doing in theatre today. The troika of Aleya, Laura and Anne are
not the only women scriptwriters who are busy right now. For instance, Sitawa
Namwalie who played the Cucu in ‘Brazen’ has been dramatizing her poetry ever
since she staged ‘Cut off my tongue’ in 2008. But she is also scripting and
staging her own plays, including ‘Room of Lost Name.’
Mumbi Kaigwa
is also an award-winning playwright whose trilogy has been staged (often one
play at a time) in Kenya and East Africa as well as in Europe, the US and Asia.
Best known for her acting in films like The Constant Gardener and The First
Grader, Mumbi at 57 has been on stage for nearly half a century. She’s also
inspired a multitude of upcoming actresses by starting her own theatre troupe,
The Theatre Company in 2000 and in being the first Kenyan woman to dare stage
Eve Ensler’s Vagina Monologues.
Other women
playwrights include Dr Elizabeth Orchardson-Mazrui who’s best known as a
painter, textile designer and poet but has also written scripts like ‘Nzinga,
the Warrior Queen’ and ‘The Lion of Egerton Castle’. Others include Jean Akinyi
who wrote ‘Contract Love’ which was staged earlier this year by Dr Zippy Okoth.
There are also a wide range of women who have started up their own theatre companies. Besides Mumbi Kaigwa (who handed over The Theatre Company to her ex-spouse Keith Pearson in order to found The Arts Canvas), there’s Mbeki Mwalimu who founded Back to Basics early this year and has subsequently staged several original Kenyan scripts. Then there’s Mshai Mwangola who with Mueni Lundi and Aghan Odero, formed The Performance Collective which has a regular gig every month at the Point Zero Coffee House and Book Club.
Caroline Odongo was the force behind the Mujiza Theatre where she not only managed but often directed shows. She also acted but now she works with etcetera productions mainly as a producer-director.
Muthoni
Garland is not only the author and founder of Storymoja Publications. She also
founded the Nyef Nyef Storytellers which is one of a number of Kenyan
storytelling troupes that perform not only at the annual Storymoja Festival but
at festivals of their own.
One such festival
is the Sigana International Storytelling Festival which features Hellen Alumbe
Namai, Wangari Grace and a wide variety of performing artists from around the
region and the world.
Alumbe Namai, storyteller with the Sigana International Festival of Storytellers
Maimouna Jallow telling the story of The Secret Lives of Baba Segi's Wives
Mara Menzies is a Kenyan storyteller who is based in Scotland but comes occasionally to perform in Kenya en route to other parts of the world. Maimouna Jallow is an inspired Togo-born storyteller married to a Kenyan who has also played a pivotal role encouraging Kenyan writers and performing artists to ‘reimagine Kenyan folktales’ in light of present-day circumstances.
Storytellers Wambui Raya, Sitawa, Patricia Kihoro, Mumbi Kaigwa and Maimouna Jallow
Alumbe Namai, storyteller with the Sigana International Festival of Storytellers
Mara Menzies is a Kenyan storyteller who is based in Scotland but comes occasionally to perform in Kenya en route to other parts of the world. Maimouna Jallow is an inspired Togo-born storyteller married to a Kenyan who has also played a pivotal role encouraging Kenyan writers and performing artists to ‘reimagine Kenyan folktales’ in light of present-day circumstances.
One cannot
forget Millicent Ogutu who is both a lawyer and thespian who single-handedly
saved the Phoenix Players in the 1990s after which she became Managing Director
of Phoenix up until she went back into law. But Milo’s one-woman performances
have been some of the most memorable in recent times. If she could make a
living as an actress, there is little doubt she would return to live theatre
full-time.
Millicent Ogutu
Millicent Ogutu
Finally, two
of the most exciting actresses on the Kenyan stage currently are part of the
live Improv-comedy troupe ‘Because You Said So.’ June Gachui, like Millicent,
is a lawyer as well as a performing artist. Her female counterpart in BYSS is
Patricia Kihoro, both of whom are accomplished singers as well as comedians who
are part of this dynamic seven-person troupe whic performs several times every
year and most recently (12 August) starred at the Nairobi Arboretum, nonplussed
by the fact that the Phoenix Theatre is no more. They feel free to perform
wherever they can find space, which is the spirit that many Kenyan actors share.
Patricia Kihoro and June Gachui costar in And So You Say
Patricia Kihoro and June Gachui costar in And So You Say
Quite a few
Kenyan male actors (and some women) have shifted over to film and television,
in part because they find it more lucrative. But with their departure, we are
witness to the unavoidable fact that Kenyan women are emerging as the most
dynamic force in live theatre today.
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