By
Margaretta wa Gacheru (posted 22 August 2018)
‘Brazen’ women
had no intention of keeping quiet after their first five performances at the
Kenya National Theatre earlier this month.
The Brazen Edition of the theatre troupe Too Early for Birds was
a tour de force that put Kenyan women’s
theatre on the map. For not only was it written collaboratively by three
brilliant women, Aleya Kassam, Anne Moraa and Laura Ekumbo. Speaking last
Sunday at The Alchemist café, they told the incredible story of how the script
was actually crafted over a nine month period (coincidentally the same time
required for a woman to give birth to a child).
Brazen also
featured an all-female cast, including the writers who framed their expansive
story about six phenomenal Kenyan women whose lives influenced the country’s
history in critical ways. Four out of the six were portrayed by one remarkably
versatile actress, Nyokabi Macharia who dramatized the stories just told in a present-day
setting by a group of women who were gathered around their former history
teacher, Cucu, played by Sitawa Namwalie.
It was an ingenious
means of storytelling, especially as the women group included a sex worker
(Akinyi Oluoch), a care giver (Mercy Mbithe Mutisya), a pregnant woman (Laura
Ekumbo), a party girl (Aleya Kassam) and the Cucu’s dear friend (Suzi Wanza
Nyadawa).
The four
great women that Nyokabi dramatized where Mekatilili, the Giriama woman leader
who led her people in a rebellion against the British, Wangu wa Makeri, the only
woman chief in Kikuyuland, the outspoken Hon. Chelagat Mutai who was the only
woman among the ‘Seven Bearded Sisters’ so-named by the former AG Charles
Njonjo for their defiant activism, and the nameless woman who brought down the
legendary Luanda Magere. Field Marshall Muthoni Kirima, the only female Mau Mau
freedom fighter promoted to the top rank of Field Marshall was played by Sitawa
Namwalie. And the story of Zarina Patel, the independent woman activist who
fought to defend Jeevanjee Garden from local land grabbers was passionately
told by Aleya Kassam.
All the crew
members were also women. And the unforgettable all-female GQ Dancers added a
visual vibrancy and fiery flare to the production as well.
But it was
the show’s director Wanjiku Mwawuganga that even the three scriptwriters
deferred to on Sunday. They said it was Wanjiku’s brilliant direction that
ultimately put the show in perfect shape and ensured Brazen would truly be
unapologetically feminist.
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