Wednesday, 8 May 2019


Kenyan Supermodel Ajuma on African Twilight catwalk at African Heritage House

By Margaretta wa Gacheru (posted 8 May for 10 May, 2019)

‘African Twilight’, the documentary film that premiered at Alliance Francaise last Monday night was indeed ‘a forty-year odyssey [meeting] the return of a legend’.
It was a two-hour movie mix that capped off almost 50 years of African-inspired fashion, 40 years of photography recording regional rituals and ceremonies, and several lifetimes of African musicians, models, designers and dancers, all of whom have been closely associated with the doyen of Afro-fusion culture and founder of African Heritage House, Alan Donovan.

The film is also a cornucopia of African culture that was originally meant to document an amazing gala evening dedicated to celebrating the double-barreled opus, ‘African Twilight: vanishing rituals and ceremonies’ by veteran photographers, Carol Beckwith and Angela Fisher. In the documentary the two women provide a fascinating thumb-nail cinematic sketch of their brilliant and adventurous careers, including filmed footage of some of the ceremonies they recorded, 40 percent of which no longer exist, having literally vanished with the sweeping changes brought about via colonization and globalization.
But the film features much more. It also covers Donovan’s reconstruction of the glamourous African Heritage fashion and music festival which he took on tour all over Europe and the United States in the 1980s and 90’s. Included in those tours were members of the African Heritage Band, which had been founded by the late Ayub Ogada (aka Job Seda) who was meant to be one of the stars in the film. But as he passed on just days before the event, Donovan paid tribute to him by dimming the lights that night and turning on the recording of Ayub singing his original composition, ‘Koth Biro’ which became the haunting theme song of the award-winning film ‘The Constant Gardener’.
                                    Ayub Odaga (aka Job Seda)(L front) founded the original African Heritage band

The only shortcoming of ‘African Twilight’ the film, was the lengthy cat-walking of models adorned in gowns all made out of indigenous African textiles, most of which had been collected over the years by Mr Donovan. The gowns themselves were beautifully made with materials that came from all over the region, from Ethiopia, Ghana and Cameroon, and from Congo, Guinea, Nigeria and even Kenya.
For those who attended the actual gala, the doc film felt quite authentic, although the vibrancy of dancing by Rare Watts, Fernando Anguang’a and his team of Maasai dancers as recorded in the film couldn’t compare to what we saw at their live performance. Nonetheless, the film confirms the Gala was an unforgettable night.
                 Chief Alan Donovan with Cabinet Secretary for Culture Amb. Amina Mohammed and Chiefs Niki and Chief..

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