Saturday, 25 May 2019



By Margaretta wa Gacheru (posted 25 May 2019)
When Angela Wachuka and Wanjiru Koinange first founded the Book Bunk in 2017, it wasn’t only to rehabilitate all three Kenyan national libraries: the main one being at McMillan and the two branches at Kaloleni and Makadara. It was also to advance what’s been described as a ‘reading revolution’ in Kenya.
The job of renovating dilapidated structures like all three libraries is a major task which Wachuka and Wanjiru have relished. It’s by no means done, but interesting young people in reading and utilizing the libraries could be an even more challenging feat.
That’s why it was refreshing to see so many youth at the “Tribute to Maya Angelou” performance/event at the Makadara Branch of the Nairobi library system last Saturday.
Many were seated all around the large reading room that had been converted into performance space by the mother-daughter team of artists, actress Mumbi Kaigwa and musician Mo Pearson.
Others relaxed on the floor right in front of the two women who had brought with them a whole lot of indigenous African instruments that the youth would get their chance to play when the time came.
Mo also brought her acoustic guitar and Mumbi brought her talent as lover of poetry and literature, particular Maya Angelou’s.
The award-winning African American poet, singer, memoirist and civil rights activist died almost exactly five years ago, on May 28th, 2014 at the age of 86. But because she left so much powerful poetry, which she often performed, her memory will never die. Not if performers like Mumbi and Mo have anything to do with it!
Mumbi performed a number of Maya’s best-known poems, including ‘As I rise’, ‘Hold fast to dreams’ and ‘Phenomenal Woman’ among others. And Mo sang original songs she had written which were inspired by Maya.
How their performances fit into the Book Bunk agenda was by bringing alive words that would otherwise be left of the written page. What’s more, children in the audience were invited up to perform with the musical instruments as Mumbi dramatized Maya’s moving words. That interactive element made their performance even more meaningful to the young teenagers who were the main age-group in the hall.
Mo’s singing was too brief but it was beautiful and definitely sent electric changes among the youthful population which identified easily with Mumbi’s daughter who only graduated from university a relatively short time ago.
Mumbi ended their performance by dramatizing one of Maya’s best loved poems, ‘Hold fast to dreams.’ After that she opened the floor, inviting anyone to ask questions or say something in response to their show. This was when things got exciting. Initially, as is the Kenyan style, the room fell silent and nobody said a word until Valentine Omwaka Nyanje, age 13, finally raised her hand, then stood up and sounded like she could be Kenya’s next Maya Angelou equivalent.
The standard eight student from St John’s Primary School in Kaloleni didn’t share a poem. Instead, she shared sentiments similar to Maya’s main message which is to believe in yourself. She spoke about the ‘kihere here’ or passion inside herself that was pushing her to do something special with her life. She said everyone had that ‘kihere here’ and ought to listen to it and act upon it.
After she sat down, a number of kids raised their hands and took turns sharing their hopes, dreams and ambitions. Their enthusiastic remarks could have gone on all afternoon if Wanjiru Koinange hadn’t gotten up, thanked everyone for coming and then invited them to have a delicious lunch, courtesy of the Book Bunk.   
The one aspect of the event that might have been slightly better suited to an older audience was an audio-tape of Maya Angelou speaking along with a number of African American poets like Langston Hughes, the champion boxer Mohammed Ali and other civil rights activists, including James Baldwin and Martin Luther King, Jr. Personally I enjoyed Mumbi’s selection because it was an excellent means of establishing the political and social context within which to place Maya’s life work.
Nonetheless, one person who was clearly delighted by both the Book Bunk’s and the Mumbi-Mo initiative was Douglas Kierieni, the retired banker and columnist at Business Daily.
“This is like a dream come true for me,” he said beaming as the children got in line to eat well-cooked green grams, rice and cabbage. “I’ve been appealing in my BD column for someone to revive the libraries, and now it’s happening.”

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